Word: pseudonyms
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Whores & Hangmen. Already noted for a brilliant satirical novel on Communism. The Trial Begins (TIME, Oct. 3, 1960). the author who hides behind the pseudonym Abram Tertz has been variously reported to be a professor in a Russian university, a prominent Russian novelist, or Poet Yesenin-Volpin himself. In his new work (Pantheon; $2.95). he lashes out against the state-dictated code of "socialist realism," which reduces authors to mere copywriters of Communist propaganda, beholden to "Purpose with a capital P." Writes Tertz: "A poet not only writes poems, but helps, in his own way, to build Communism...
Bricks for Jade. On the eve of the introduction of the commune system, Li Fu-chun warned that the economy was getting lopsided. Now, he said, there should be concentration on the farm problem. He was strongly supported by his fellow economists. One of them, hiding behind a pseudonym, wrote ominously: "We may gain heavy industry only to lose Man; we may even lose Man without gaining heavy industry...
This gives Author Ian Brook (a pseudonym) plenty of opportunity to rib the retreating Empire right up to No. 10 Downing Street, and to fire deft, satiric shots at everybody from an American anthropologist studying illiteracy among Alabasa's albinos to the new class of boorish, lawyer-bred African politicians ("The Prime Minister of the Colony laughed and picked at the hard skin on the ball of his foot"). Except for a dramatically faulty attempt to give Jimmy a realistic love affair, out of keeping with the otherwise admirably sustained, two-dimensional tone of spoof, Jimmy Riddle emerges...
...voice teacher named Vandeleur Lee. While Lee posed as the magazine's critic, young Bernard wrote the notices. After a year on The Hornet, Shaw retired from criticism for seven years. Soon after his return, he wrote for London's The Star under his famous pseudonym Corno di Bassetto, and later for The World simply as "G.B.S...
...loveless and friendless, the S-Man completes his "lonely odyssey." Deadpanned and often deadeyed, Maschler and Raphael offer a devastating if somewhat fanciful critique of modern non-ethics. The only overt moral judgment is in the pseudonym itself, with its implication that the S-Man is his brother's killer...