Word: psuedo
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Dates: during 1970-1979
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Gardner says the isolation of a theorist like Fell may be either self-imposed or the result of the rejection of his theories by the established authorities. In Fell's case, his isolation seems to be the result of both. Gardner says the rejected psuedo-scientist usually "speaks before organizations he himself has founded, contributes to journals he himself may edit." True enough: Fell publishes his epigraphic work in a journal which he founded and which he edits. Fell says the Occasional Publications of the Epigraphic Society began four years ago after his work had been consistently rejected...
...summer she takes a job as a waitress in the Purple Pickle, part of a psuedo-delicatessan chain in the midwest. It is a low-priced quick-service place lit by art deco lamps, with oaken booths against rough panelled walls, plants slung from the ceiling and sauerkraut served while-u-wait. She is working eight hours a day in a starched white uniform and a red-checkered apron, and she lives above the restaurant with the manager. He is 45 and divorced, a Methodist believer who neither drinks or smokes. He is balding with a budding paunch, he likes...
Ross Russell's biography, "Bird Lives!", vividly documents the achievement and the tragedy of Parker's life. Unlike many writers who gush about jazzmen with little regard for facts, Russell remains temperate without being tepid. His style slips only when he reverts to a psuedo-novelistic form. Though Russell has unrestrained respect for Parker's talents, he nevertheless dismantles much of the myth that has grown around this genius of improvisation. Russell shows that Parker earned his place in jazz's pantheon by more than a shot of heroin. His talent was nurtured by hard work...
...writes the music. This rather strange reversal of step and beat, not to mention cart and horse, too often showed in what might have been called the super-calisthenicization of his choreography. Yet Hawkins frequently attained a timeless mood in such Oriental-flavored works as Dawn Dazzled Door. The psuedo-Apollonian Angels of the Inmost Heaven featured a quartet of beauties who appeared topless to the accompaniment of a quintet of brass. Although Hawkins deployed the girls with such ritualistic restraint that the effect was almost asexual, the work succeeded in one kind of choreography that few other companies...