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With the zest he showed plunging into everything from alcohol to psychic phenomena, from sex to theology, James A. Pike became America's most controversial 20th century clergyman. As an infant in Oklahoma, he won the Better Babies contest at the state fair two years running. In 1969, still hyperactive at 56, he got lost and died in Israel's Judean desert−and was the first Episcopal bishop ever to have three surviving wives attend the memorial service at his old cathedral in San Francisco...

Author: /time Magazine | Title: Religion: Nothing Hidden | 6/28/1976 | See Source »

Indeed the film is shorn of any sense of reality, historical or otherwise. Though it is hard to draw many conclusions about a movie that is not yet edited, Casanova will hardly be a picture to recommend to students interested in 18th century Venice. Fellini likes to present psychic rather than objective reality. He uses any material-literary, political, personal-and bends it to his will, makes it part of his powerful fantasies. One cannot imagine his boasting that Casanova is a meticulous biographical creation. On the contrary he says: "There is no historical slant, no ideology. There is nothing...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

Last week Ziff-Davis confirmed that Harris has been fired. Neither side would talk openly about the psychic trauma, but Harris' problem seemed to be one of style rather than substance. A former TIME writer and bureau chief and Look senior editor, Kentucky-born...

Author: /time Magazine | Title: The Press: Psyched Out | 5/17/1976 | See Source »

...bemused, nightmarish thrillers he has concocted over the years have accomplished more than the director ever intended, perhaps even imagined. Hitchcock will admit to no loftier ambition than entertainment. Nonetheless, his best movies-The Wrong Man, Strangers on a Train, Vertigo, Psycho, The Birds-reach into deep pockets of psychic guilt, creating not only a pleasant, fleeting rush of terror in an audience but also a lingering, fixed anxiety. He is a technical master. But the tense economy of his best scenes, the closely calibrated dynamics of his editing, have also shaped the way people look at films...

Author: /time Magazine | Title: Cinema: Grave Error | 4/26/1976 | See Source »

...mother, and so he unburdened himself of dreams, ambitions and regrets that he had confided, apparently, to no one else. He hoped that she would salvage his reputation at Harvard, citadel of real and imagined enemies. But Kearns was too well trained on alien terrain and kept her psychic distance from her overwhelming subject. Imbued with some of the 1960s suspicions of practical politics, she is fair to L.B.J. but unfailingly cool. To her, Johnson is a monstrous amalgam of political good and evil, worthy of meticulous dissection. Her scalpel is cutting, and the wounds inflicted will not be easily...

Author: /time Magazine | Title: HISTORICAL NOTES: L.B.J.: Naked to His Enemies | 4/19/1976 | See Source »

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