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SEANCE ON A WET AFTERNOON. A taut English thriller about a demented psychic (Kim Stanley) and her spouse (Richard Attenborough) who carry out a kidnaping suggested by voices from Beyond...

Author: /time Magazine | Title: Television: Jan. 8, 1965 | 1/8/1965 | See Source »

These northern Europeans, who claim as ancestors both such German expressionists as Emil Nolde and the Norwegian Edvard Munch, represent an increasingly individual point of view. Their kind of psychic improvisation takes its cue from dense color and tightly woven forest. Fundamentally passionate paint slingers, they are equally adept with lithographs, a sampling of which went on view last week in Manhattan's Lefebre Gallery. A few, such as Guggenheim International Prizewinner Karel Appel, are well known; others less publicized...

Author: /time Magazine | Title: Art: The Plumed Serpents | 12/18/1964 | See Source »

Slow Dance on the Killing Ground, by William Hanley, encourages three characters, two men and a woman, to tell the audience all about their operations. They discuss not physical but psychic scars-traumatic surgery performed by that mad cruel doctor, life...

Author: /time Magazine | Title: Theater: Goodbye, Cruel World | 12/11/1964 | See Source »

...thousands of people are leading productive, normal lives who-but for Dr. Kline's work-would be leading lives of fruitless despair and frustration." Patients who had been in mental hospitals so long that all hope for them had been abandoned have shown marked improvement on the "psychic energizers" developed by Dr. Kline or resulting from his work. * How many lives the drugs save among suicidal patients can never be known...

Author: /time Magazine | Title: Awards: A Lift from Depression | 11/27/1964 | See Source »

...very mad, very English, and very nearly preposterous. But for viewers eager to empty their minds and concentrate on such creepy business, Writer-Director Bryan Forbes (The L-Shaved Room) works an aura of disaster into every nook and passageway of a turreted old mansion. As the demented psychic, Myra, Kim Stanley manages so many subtle shifts of mood that she seems simultaneously sweet, bitchy, poignant, and a deadly menace. The kidnap scene is a cinematic whirlwind, with the camera cutting and lashing across the landscape to build to a moment of crisis when the victim (Judith Donner) locks herself...

Author: /time Magazine | Title: Cinema: Medium Rare | 11/13/1964 | See Source »

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