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Word: psycho (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Jamie Lee Curtis gets into the worst scrapes. Tracked and trapped by homicidal maniacs in Halloween and Prom Night, deposited by leprous spooks into The Fog bank, and now manhandled by a psycho transsexual on a Terror Train, Curtis is the new virgin queen of shivers. No-nonsense intelligence shines through her friendly, angular, leonine face (a gift from her mother, Janet Leigh, who pioneered the modern horror trend 20 years ago by taking a bloodbath in Psycho). Thus when she flees into a dark closet or abandoned sleeping car-where, of course, the evil one waits, knife...

Author: /time Magazine | Title: Cinema: Scream Queen | 11/3/1980 | See Source »

...brought Spring's Awakening into the American present, to fine effect. Between scenes we hear Ian Dury or the Rolling Stones, and on the screen at the back of the stage we see ads for Jordache jeans, or a picture of the Hollywood Bowl, or the murder scene from Psycho. The screen is also used for video projection--Prum has a television camera trained on one or more of the actors much of the time, and pretty soon you can see why those tribesmen you hear about hate to have their photographs taken, for fear that it will extrude their...

Author: By Paul A. Attanasio, | Title: Unleash the Dogs of Sex | 10/29/1980 | See Source »

...Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie. I wonder if David Berkowitz imagined his murders on a movie screen, and I remember how in Michael Powell's Peeping Tom the killer didn't get off just by murdering women but by filming their deaths and playing them back again and again. What happens...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

...Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie. I wonder if David Berkowitz imagined his murders on a movie screen, and I remember how in Michael Powell's Peeping Tom the killer didn't get off just by murdering women but by filming their deaths and playing them back again and again. What happens...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/10/1980 | See Source »

...Clockwork Orange, Malick in Badlands, Coppola in Apocalypse Now made epics of our dissociation; soldiers in Vietnam said it didn't feel like being there, it felt like being in a war movie; and Roger Rosenblatt writes in The New Republic that Son of Sam seems like just another psycho-on-the-loose movie. I wonder if David Berkowitz imagined his murders on a movie screen, and I remember how in Michael Powell's Peeping Tom the killer didn't get off just by murdering women but by filming their deaths and playing them back again and again. What happens...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/8/1980 | See Source »

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