Word: psychoanalyst
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...streets have lost their balance. At first he is the detective tracking his suspect; then he is an infatuated schoolboy duped by glamour; he could also be the moviegoer transfixed by the light on the screen, or a director turning an actress into a fantasy figure or a psychoanalyst falling in love with his patient-falling, always falling, into and out of a dream that keeps slipping beyond his reach. Then, abruptly, Madeleine dies, and Scottie finds himself still in love, in a necrophilic passion for what was or may never have been...
...emotional connection. The New York City landscape of August is littered with suicides, failed marriages, estranged children and an assortment of ambivalent sexual identities. The one successful relationship is built between two women: Dawn Henley, 18 at the outset, an orphaned college student, and Dr. Lulu Shinefeld, her fortyish psychoanalyst. In classic Freudian fashion, the patient seeks a surrogate parent. The analyst, a divorcee and failed mother, comes to view her patient as a surrogate daughter. Each woman uses the analytic relationship to relive, and make up for, errors that were made in their other lives outside the room with...
...Japan, where Freud is of small importance and his Oedipus complex makes little sense, a Tokyo therapist once proposed a more applicable myth for his nation. Called the Ajase complex by the late psychoanalyst Heisaku Kosawa, it comes much closer to the heart of the child-mother relationship in Japan...
While Burgess at times lampoons Freud as much as everyone else in the story, he lauds the psychoanalyst's desire to see through the sanitized exterior of his culture to the real nature of man. The slapstick format, occasionally as predictable as the medium it parodies, spares us from excessive psychobabble, presenting instead humanity as it is, not as we would like to perceive it--with the author unmistakably siding with the former...
...vocation, Haider is a professor of German classics who also writes novels. He is the sort of man who is appalled by the fact that Goethe refused to send Beethoven money when the composer was in desperate need. Haider's best friend, Maurice (Gary Waldhorn), is a Jewish psychoanalyst. Yet in the course of this drama, Haider erases his conscience like chalk on a lecture-room blackboard. At Good's end, this decent, liberal-minded scholar has become Eichmann's right-hand man at Auschwitz...