Word: psychopathics
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...murders; they have real human villains, and the good ones have "helpless" victims (women, children, old people), or at least valorous ones (police, prisoners of war). Unsafe assembly lines, malconstructed bleachers, badly-made cars can claim lives every day, though we'll hear little about it; but let some psychopath carve up a few nurses, or someone shoot a cop over in Brighton and we'll never hear the end of it. Journalism consists of the substitution of an event's dramatic elements for the event itself; newspapers and magazines are drama by other means. Let me entertain...
...sexual gamesmanship set in Paris during the May '68 strike is Jones masquerading as sophisticated literary figure, editor of "The Two Islands Review" (founded after "George's" Paris Review went soft), and Boswell to an American expatriate named Harry T. Gallagher. Gallagher is Jones as celebrity author and sexual psychopath-though his tentative adventures with a bi-sexual Negress nymphomaniac are so scantily drawn as to give the impression that Jones has mellowed with his marriages-yea, even become family-minded and moralistic. To read Gallagher-Hartley dialogue is to watch an author's dark urges confront his brighter ones...
More than a decade ago Norman Mailer predicted that the cultural hero of the future might be the "philosophical psychopath." That future has arrived, for Miss Lessing is not alone. To a psychiatrist like R.D. Laing, madness, the rationalist's despair, has become a romantic last hope. "Perhaps," agrees the French antinovelist Marguerite Duras, "a madman is a person whose essential prejudice has been destroyed...
...Roman inspector (Gian Maria Volonte) is a remorseless homicide cop who also happens to be a homicidal psychopath. The sexual subcurrents of his sickness are brought out by his mistress (Florinda Bolkan), who is entranced by his bloody profession. The film opens on his last visit to her. "How will you kill me this time?" she coquettishly asks. "I'll cut your throat," he replies. And so he does, as they make love. With deliberate clumsiness, he steals her jewelry (but not her 300,000 lire), leaves his fingerprints in the shower and bloody shoeprints. Then he takes...
...advantage of student disaffection with the working-class, some New York City ex-ad-men fashioned Joe to play right into the fantasies of the more naive paranoids-and found themselves with the '70's first box-office smash. It is Peter Boyle's image of a gun-toting psychopath that has replaced Ralph Kramden as a symbol of the "lower depths" for the upper and middle classes. There hasn't been a decent manual laborer since, not even in Five Easy Pieces, which made the only repressed figure an ex-concert pianist. Even Brando's heroic dockworker from...