Word: psychos
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...Psycho (Alfred Hitchcock; Paramount) at first seems to be a typical Hitchcock spine tingler, whose moral is that heaven may protect the working girl but not if she takes long lunch hours in hotel rooms. The film commences with Janet Leigh bouncing about in her bra while her lover (John Gavin) tries to persuade her to take an early dinner as well as a late lunch ("We could laze around here"). She says pettishly that she wants to get married. He explains that he has no money. That afternoon she steals $40,000 from her boss's real estate...
Harvard is a college where people come to learn. Students from Maine to California flock to this Athens on the Charles to learn about everything from the battle of Thermopylae to the psycho-dynamic theory of prejudice. But do they come only to learn the T-formation, the squeeze play, and the step-over toe hold...
...Psycho Somo-Tic. Huxley is prepared to concede that 2 billion may be company on earth, but that three will be a crowd. With the air of the fourth wise man, he says that "on the first Christmas Day" there were only 250 million. It took all the time since then until the Pilgrim Fathers to double the figure. When he was writing Brave New World, in 1931, world population stood at just under 2 billion. Today, "only 27 years later, there are 2,800,000,000 of us." People keep breeding, as it were, behind Huxley's back...
...contemporary society, Sorokin is somewhat less generous. He has little patience for contemporary salesmen of comfortable panaceas, referring to them disparagingly as "Pollyannas of easy optimism." For his salvation from the imminent deluge, Sorokin urges, modern man must look neither to religious conversion ("mainly a cheap self-gratification for psycho-neurotics"), nor to psychoanalysis ("please regard it as the last step before suicide"), nor to changes in political leadership ("but who is going to guard the Guardians?"). The main channels are blocked. To what can man turn...
...reverie and manipulation is difficult to accept; to be sure, Marlowe sometimes mentions--and conveys--the dreamlike quality of his tales, but we must attribute the dream to him, not to Conrad, for Guerard himself has taught us not to confuse the two of them. These efforts at psycho-mythical interpretation often contain real insights; what is lacking is reticence. Occasionally this sort of criticism seems forced and far-fetched...