Word: pszonisk
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Depardieu who triumphed in last year's The Return of Martin Guerre brings vitality and commanding presence to his character standing both figuratively and liberally above the Phrygian bone tied revolution Aries who surround him. His gruff manner endears, while Pszonisk's formality chills. One sees easily why crowds would flock to the moderate Danton. Still, Wajda makes clear the appeal of authority; Robespierre offers an ideal worth living and dying for and losses into the deal the coercive force of the guillotine...
...Pszonisk creates a character as compelling as Depardieu's. His Robespierre is racked by doubts from the start jealous of Danton's popularity and power, yet willing to sacrifice all for the revolution. Pszonisk's careful acting and studied manmannarisms, as well as his fully convincing feverish fits of illness and anguish add wonderful dimensions to Robespierre. We are fully prepared for his pathetic final scene of self discovery as he realizes he has forsaken the goals of the revolution, and the words of the Declaration of the Rights of Man and the Citizen echo in his head...
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