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Winner of the 1992 Booker Prize for The English Patient, poet and novelist Michael Ondaatje, delivered the fall Morris Gray Lecture yesterday to students and the general public, a break from tradition for the semi-annual lecture series’ tendency to host poets exclusively, English Department members said...
...resigned because it was the right thing to do. The actions were wrong, and why they were made public doesn’t relate to anything I did, and it doesn’t excuse it,” the 1984 graduate from Harvard Law School added...
...call attention to climate change and show support for introducing a bill that would require Massachusetts to be powered with 100-percent renewable energy by 2020. As expected, the protest was broken up by Boston police officers, and now nearly 70 participants have been served citations for trespassing on public property. But the Harvard administration’s lack of support for its protesting students has added a mini-drama to this strange story that could have been avoided at little cost...
...know, its judges and producers have always maintained a healthy distaste for melody or, indeed, music in general, preferring to applaud and highlight performances of vocal excess, culminating most often in “glory notes.” It is an aesthetic comprehensively rejected by the record-buying public, if the album sales of most “Idol” winners are any indication. The key to Underwood’s prior success was that she discarded the vocal theatrics prized by Randy Jackson for solid, conventional country music written by hardened Nashville pros like Josh Kear...
...Boston, is smaller in scale, but does not depart from the frank manner in which he addresses war. Wodiczko attempts to make his audiences understand the nature of war by inundating them with emotionally charged visual and auditory material. He comes tantalizingly close by plastering safe and static public buildings with the frightening chaos of a foreign war, but his aggressive approach overwhelms the substance of his pieces...