Word: publically
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Dates: during 1920-1929
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Readers of public prints recalled that only a few weeks before he sat down to this luncheon, Publisher Hearst had sat the President down pretty hard on the subject of Prohibition, in his national broadside against the Hoover speech in Manhattan to the Associated Press, which Publisher Hearst called "a blank cartridge fired against a blank wall" (TIME...
...Public opinion did not follow the President's line of thought. When the commissioners were announced last fortnight, all alert newspaper editors were quick to weigh them in Wet-and-Dry scales. Great were the stirrings among U. S. Drys, Consolidated, and U. S. Wets, Limited, to assemble debatable material to put before the commission. The President's legalistic examiners were lightly spoken of at Washington dinner tables as "highbrow highball homilecticians...
...Drys, Consolidated, particularly the Anti-Saloon League and the Methodist Board of Temperance, Prohibition & Public Morals, were carefully watched to see if the President's broadening of the commission's scope would cause them to protest that their special handi work was not receiving its proper share of attention. But no protest came from the Drys, who viewed the commission as an agency that must inevitably recommend officially enforcement of a Reform which they effected unofficially. What they did mind was not having their hard-hitting prohibition enforcer, Mrs. Mabel Walker Willebrandt, placed in charge. Nor was Mrs. Willebrandt particularly...
...this resolution, the 400 of music pointed with scorn at the talking cinema. Small is the loss of their livelihood, said the 400, compared to the incalculable loss which the public must suffer from "canned music." Gone will be all chance for U. S. youth-culture; gone will be all appreciation for artistic renditions. Mechanical, soulless music will pervert and deaden the public musical sense. The resolution continued...
...music is to be a feature of theatrical production the patronizing public has a right to insist that the human interpreter shall be present to exercise his traditional and time honored function. . . . The pro posed mechanization is a backward step in the amusement, entertainment and educational world. It means the destruction of the inspirational glamor which has long surrounded the theatre orchestra...