Word: publication
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Dates: during 1930-1939
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Last week the Latvian Ministry of Public Welfare set out to prevent the spread of tuberculosis by warning the population with posters: DO NOT LET YOURSELF BE KISSED; DO NOT KISS AN OTHER'S HAND. Officials entrusted with putting the admonition into effect had a job on their hands. Although the incidence of Latvian tuberculosis is high (tubercular death rate in the capital, Riga, is 120 per 100,000), the incidence of Latvian hand-kissing is much higher...
During last year's bloody purge of "Trotskyists, Fascists, counterrevolutionaries, spies and wreckers," many innocent victims were framed by stool pigeons, police agents and prosecutors anxious to build up their reputations for zeal and vigilance. Communist Russia, unlike Nazi Germany, washes much of its dirty linen in public and last week characteristically made public the weirdest abuses of the purge...
...October the French Academy of Sciences officially recognized Pasteur's serum, and hostile criticism melted before the warm rush of praise that greeted the scientist from all over the world. Hundreds of persons who had been bitten by mad dogs rushed to his laboratory, and a public international subscription was opened to build larger quarters. Thousands of francs poured in, and in 1888 President Sadi Carnot of France, surrounded by a brilliant throng of cheering scientists, opened the Pasteur Institute. But the new Institute came too late to the old genius who had! suffered taunts and gibes...
...Fogg Art Museum at Harvard University is the liveliest school of art history in the U. S.; the Fine Arts Museum is eminent for its scholarly array of Oriental and other treasures; the Isabella Stewart Gardner Museum is probably the choicest large-scale clutter among U. S. private-made-public collections. From these institutions, however, few people would get the idea that there are artists alive and sweating...
...Johnson collection, now owned by the Philadelphia Museum, formed the nucleus of last week's exhibition at Worcester. Enriched by 44 pictures from public and private collections in Belgium, it was the first sizable, over-all show of 15th, 16th, and 17th-Century Flemish painting ever held in the U. S. Jointly responsible for it were the Worcester Museum's affable, oval Director Francis Henry Taylor and Assistant Director Henri Marceau of the Philadelphia Museum. They succeeded last summer in getting the help of Léo van Puyvelde, distinguished, bluntspoken* director of the Royal Museums of Belgium...