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Word: publicity (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

Senator Borah and Sir Esme were uneasy over the reported White House criticism until Statesman Stimson soothed their feelings with a public statement to the effect that their conference, informal, personal, had been quite "proper...

Author: /time Magazine | Title: National Affairs: Unusual, Proper | 7/1/1929 | See Source »

...Strawbridge's plan, refinement is the keynote, for she proposes "no spectacular crusade, no public meetings, no newspaper publicity-nothing of that sort at all. My thought is simply that if people whose wealth and position clothe them with the power of example can be induced to set an example, as Mrs. Mc-Lean is trying to do, we could be of inestimable aid to the President...

Author: /time Magazine | Title: PROHIBITION: It Isn't Done | 7/1/1929 | See Source »

...purposeful than an elevator. Ronald's reason: last week he had 60 watercolors, charcoal and crayon drawings ?athletes in action, ships in dock?on exhibition in the Metropolitan Museum of Art. He had been singled out as the most promising current artist product of New York City's public school system...

Author: /time Magazine | Title: Art: Industrial Ingredient | 6/24/1929 | See Source »

...adopted by his foster-parents at the age of one. He stayed in the West Indies for eleven years. From an early age he drew, told other children what was wrong with their drawings, bought penny crayons. At eleven he was taken to Manhattan, where he attended a public grammar school. His drawing teacher encouraged him to continue at Stuyvesant High School, where Dr. Henry E. Fritz conducts special Saturday drawing classes and arranges an annual Metropolitan exhibit for the 30 most talented children (15 boys, 15 girls). "You needn't congratulate yourselves on your talent," Dr. Fritz tells...

Author: /time Magazine | Title: Art: Industrial Ingredient | 6/24/1929 | See Source »

...next January to produce "talkies" with the Ziegfeld tang and glamor, the Goldwyn experience. Said Mr. Ziegfeld: "I am going to do for the screen what I have done for the stage." Of the stage he said: "There is too much dirt and nakedness in revues nowadays, and the public is about fed up on them. . . . The sketches now used as black-outs? are the sort that in pre-Prohibition days found their origin in barrooms, and I consider it a disgrace to be associated with a revue producer at the present time. Unless the Follies can be distinguished from...

Author: /time Magazine | Title: People: Jun. 24, 1929 | 6/24/1929 | See Source »

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