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...record, that I still am floored by the fact that she had a baby. That means they had/have sex. Yikes.) Why, then, did they have to turn it into such a sketchy affair? First, Douglas secured an exclusive $1.4 million deal with OK! Magazine to publish the official wedding photos, knowing full well that every other tabloid would run unauthorized pictures anyway. "I wanted to avoid a media circus," he insisted, but with hundreds of paparazzi barricaded outside the Plaza, it looked awfully like plain greed. Moreover, instead of accepting gifts, the couple requested "donations" into their four-month...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: In the (K)now | 12/8/2000 | See Source »

...avalanche of adaptations and licensing. "It all comes to me." She volunteers this information to avoid the rap that she's exploiting Seuss and explains that by creating trademarks in various media, she's protecting her husband's creations. Yet some of Geisel's decisions, notably to publish some material that her notoriously perfectionist husband left unpublished, are difficult even for her to explain. "Because everyone out there wanted it," she says, "and because Random House wanted...

Author: /time Magazine | Title: Seuss On The Loose | 11/20/2000 | See Source »

...heard once that cultural references to Harvard far outstripped those of Yale, probably because of Harvard's pervasive control of Hollywood. The Harvard Lampoon, that semi-secret Sorrento Square social organization that used to occasionally publish a so-called humor magazine, has become somewhat of a feeder system for many of television's best (and worst) comedies. Yale-bashing jokes abound in "The Simpsons," as do jokes about Brown, Radcliffe and other illustrious institutions of advanced study...

Author: By William P. Bohlen, CRIMSON STAFF WRITER | Title: Goin' Bohlen: Grabbing for That Same Slice of Pie | 11/17/2000 | See Source »

...somewhat) better show. The viewer could have some faith that there was some kind of a central, cohesive idea behind it all. As it is, you have to wonder, given the emphasis the curators put on the theoretical implications of the pieces on display, why didn't they just publish a treatise and save us all the bother of looking at this lackluster...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: State of the Art? | 11/17/2000 | See Source »

...avalanche of adaptations and licensing. "It all comes to me." She volunteers this information to avoid the rap that she's exploiting Seuss and explains that by creating trademarks in various media, she's protecting her husband's creations. Yet some of Geisel's decisions, notably to publish some material that her notoriously perfectionist husband left unpublished, are difficult even for her to explain. "Because everyone out there wanted it," she says, "and because Random House wanted...

Author: /time Magazine | Title: Seuss on the Loose | 11/10/2000 | See Source »

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