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Feldstein has served as president and CEO of NBER—a consortium of more than 500 economists—since 1984. NBER’s power comes from its reputation as a forum for top-notch researchers, who often turn to NBER first to publish their works...

Author: By Javier C. Hernandez, CRIMSON STAFF WRITER | Title: Feldstein Could Be Next Chair of Fed | 5/13/2005 | See Source »

Holden, a Winthrop House resident and a literature concentrator, is a self-declared poet, and hopes to publish his own collection of poems within the next four years. “I am a poet, it is what I do the most,” says Holden, “poetry is the biggest part of me and it has always been a part of my life...

Author: NO WRITER ATTRIBUTED | Title: The Crimson’s Alternative Honorees for ’05 | 5/5/2005 | See Source »

It’s not an accusation towards me—it’s an admission of acting’s ephemeral nature, and, one gets the feeling he thinks the same of Commencement speeches, too. You can record them on videotape and publish the transcripts, but it ultimately comes down to moving and connecting with the people who are sitting in front of you at one particular moment in time...

Author: By Abe J. Riesman, CONTRIBUTING WRITER | Title: The Many Faces of John Lithgow | 5/5/2005 | See Source »

...push to get more student involvement in the Harvard College Curricular Review process, four students are teaming up with the Dean’s Office to publish a book of student essays on the nature of education this summer...

Author: By Liz C. Goodwin, CRIMSON STAFF WRITER | Title: Students, Deans Join To Produce Book on Curriculum | 5/2/2005 | See Source »

...Beastie Boys, and Chuck D. and Fine Arts Militia are encouraging the very behavior the industry is trying to stop: sampling, copying, remixing and circulating their songs online for free. Under a novel licensing scheme called Creative Commons (CC), developed by Stanford law professor Lawrence Lessig, artists can publish their work under middle-ground protection as "some rights reserved" instead of "all rights reserved." That way, others can listen to or remix the work--usually for noncommercial purposes. "Technology gives us opportunity, and I wanted to make sure the law wasn't stopping people from creating," says Lessig. Although there...

Author: /time Magazine | Title: Biz Briefs: Get Downloaded | 5/1/2005 | See Source »

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