Word: pubs
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Dates: during 1970-1979
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...rich old man of letters named Hirst (Ralph Richardson) has struck up an acquaintance in a pub with a poor seedy poet of approximately his own age named Spooner (John Gielgud). He has brought Spooner home to a sumptuous drawing room, designed by John Bury. There, Spooner holds forth on art and life and sundry other topics very much in the non-sequiturish fashion of the theater of the absurd. Hirst chugalugs drink after drink till he crawls off to bed on his hands and knees...
...accidentally shafts his way into marriage" his imposed sense of guilt keeps him from shafting on the side; depraved because the same man makes up for his nagging rigidity by "lusting his life away" with "dirty locker-room jokes" and blue-movies in the company of his fellow pub-hopping lusters, all in the same boat...
LeRoy has transformed the seedy old building into a series of dining rooms that make the Tavern at once a country place in the city and a city place in the country. The Elm Rooms (so called for the tree that grows through them) are country-pub elegant, paneled in wormy chestnut and hung with copper artifacts and sculptures. The most sumptuous salon, the glass-enclosed Crystal Room, shimmers in pastel pinks, greens and yellows, sun-dappled by day, glimmering by night under Waterford and Baccarat chandeliers. Everything, from the silk-screened tablecloths to the neo-Tiffany lamps, was designed...
There are also the restaurants: the sit-down places like Ken's Pub and Hunan ("You just can't find places like that in Harvard Square," says Smith), the quickie places like McDonalds' and the 24-hour Jack in the Box ("We've got our choice of 43 dreck places to eat at down here," says Lane), and the widest assortment of bars and discos, like The Speakeasy, the Cantab, etc., etc., this side of downtown Boston...
Band X. Interesting music, at Pooh's Pub in Boston, August...