Word: puccini
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Flicka's current range of roles is in some ways limited. Her voice carries like a laser beam into the farthest reaches of an opera house, but because it is not large she shies away from the heavy Verdi and Puccini, not to mention Wagner. She may be ready for some of that music in five to ten years, although she herself doubts it. For now it is enough that she sings Mozart (Cherubino in Figaro, Dorabella in Cost fan Tutte) with exquisite taste, control and sheen. Or that she can blend the impetuous and the spiritual so deftly...
...Scala of Milan will start things off in Washington, D.C.'s Kennedy Center Opera House. Next evening the Paris Opera will open at the Metropolitan Opera House in New York City. Putting its best forte forward, La Scala will offer-what else?-three Italians named Rossini, Puccini and Verdi. Showing somewhat less of a nationalistic strain, Paris will borrow Verdi for a while, and also offer Mozart the Austrian and, just to avoid outrage back home, France's own Charles Gounod...
...Juilliard School graduate who made her debut with the New York City Opera last fall, is a marvelous Bess. At 28 she has a luscious soprano voice that has a little bit of the young Leontyne Price in it and soon ought to be just right for Verdi and Puccini...
...return to their former rugged individualism." The opera invites easy comparisons. There is a tape-erasing scene (David's awakening has been recorded); though the Nixon tapes are not mentioned, the point is obvious. Operatic comparisons are also in order. The Hero is a reverse twist on Puccini's Gianni Schicchi, that maudlin, heavy-handed tale about the impersonation of a dead man in bed. Most of Menotti's music is passable Puccini: melodic, easy to take - and totally beside the point...
...Freia), "Back to the mines" (Alberich), "What, yield my ring?" (Wotan) -were few and far between. But by Die Walkure, diction and audience comprehension had picked up considerably. How does the composer himself feel? Almost everyone who has ever gone on record about the matter, including Wagner, Verdi and Puccini, speaks desperately of his desire to have his words understood, in whatever language...