Word: puccini
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Some 325 members strong, the Met flew to Japan for a three-week visit. The company brought along stars like Joan Sutherland, Marilyn Home, Adriana Maliponte, Luciano Pavarotti, Franco Corelli and John Alexander, and three of the most popular works in its repertory: Puccini's La Bohème, Bizet's Carmen and Verdi's La Traviata. The stand began with Traviata at Tokyo's 4,000-seat NHK (Nippon Hoso Kyokai, or Japan Broadcasting Corp.) Hall. With Soprano Sutherland dying rapturously as Violetta and Tenor Alexander showing a cad's remorse as Alfredo...
...Japanese understand and enjoy Verdi, Puccini and Bizet? By and large, yes. Reflects Tokyo Music Critic Shigeo Kimura: "The mode of life here is one .of great variety. It is very international. The people may go to bed in a Japanese fashion, but the question when they get up is: Do they consider themselves Asiatics?" Aurally at least, the answer seems to be no. In the elevators of Tokyo's hotels, the canned music is not the koto, but usually Chopin or Bach. Traditional Japanese music survives in the Kabuki and No theaters but in few other places...
...anachronism. Korngold was to Richard Strauss what Engelbert Humperdinck (Hansel und Gretel) was to Wagner-a brilliant but minor follower. The style of Die Tote Stadt is a lush, clamorous, occasionally schmaltzy orchestral sonorama that lies somewhere between Der Rosenkavalier and Elektra, with special added effects from Puccini, Debussy, Mahler and Rimsky-Korsakov. The best of its vocal moments, like the taunting Marietta's Lied, sound like pure Franz Lehár, the master of popular Viennese operetta...
...confronted by lesser characters who try to separate them and to stifle their career plans, but who are finally vanquished by good fortune--a reunion acene brings the lovers back together again for the happy ending. Or during the opera parody, the music might structure itself around a Puccini-type love duet and a Mozartian recitative, accompanying the Romeo and Juliet-type plot formula that stands behind an avalanche of imitative narrative detail...
...Tucker hardly suggested Rodolfo. Not that it mattered. A ringing, luminous sound, fueled by Tucker's majestic belief in both music and the voice he felt that God had given him, was embellishment enough for the legions of operagoers who came year after year to hear Verdi and Puccini melt in his mouth...