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Word: puccini (lookup in dictionary) (lookup stats)
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...year's festival displayed the extremes of two warring contemporary Italian styles. The Admiral, by Arturo Andreoli, 58, a longtime coach at La Scala, was a typical example of verismo (an operatic movement comparable to literary "realism"), made popular in the late igth century by Mascagni, Leonca--vallo, Puccini. Based on a one-act play by Chekhov, the opera had to do with a )': drunken bum masquerading as an admiral at a wedding party. Exposed when he fails to identify a snatch of Morse code, the -phony admiral exits, announcing with sad dignity: "If I were really...

Author: /time Magazine | Title: Music: What Is Modern? | 10/31/1960 | See Source »

Soprano Farrell's first venture into popular recording occurs in a Columbia album titled I've Got a Right to Sing the Blues!-issued simultaneously with two other Farrell albums, a collection of Puccini arias and a recital featuring Schubert, Schumann, Debussy and Poulenc. Soprano Farrell was a jazz fan long before she became a serious singer-back in the days when she was getting vocal encouragement from her parents, who once toured the nation as "The Singing O'Farrells." In the '40s she used to sing the blues occasionally on radio shows...

Author: /time Magazine | Title: Music: New Jazz Records | 8/8/1960 | See Source »

...often reverts to an almost 19th-century style. Yet the music is no hodge-podge; everything works, and everything is appropriate. It is heartening to find a composer willing to write for the voice as though it were something besides an instrument. Vocally, the score is in the Verdi-Puccini tradition; orchestrally, it recalls most frequently the sonorities of Richard Strauss, especially of Rosenkavalier. Giannini did not shy away from penning a beautiful, lush love duet for each pair of lovers. The first act has a fugal trio that can take its place with the finale fugue in Verdi...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...short the film is basically just a remake of La Bohème with a happy ending and bop instead of Puccini. And though it is at no time authentically beat, it has one thing in common with the beats: dullness...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 20, 1960 | 6/20/1960 | See Source »

...musical terms. From this generous supply every player must, of course, select his own repertory of names. A good random beginner's list might include Hector Berlioz ("EC-tor BEAR-li-oss"), Emil Waldteufel ("VAAL-toy-ful"), Kurt Weill's Die Dreigrosch-enoper ("Dee Dry-GROSH-en-oper"), Puccini's Gianni Schicchi ("Johnny SKEE-ky"), Prokofiev's ballet, Chout ("Shoo!"), Conductor Eugen Jochum ("OY-gen YOK-hum"), Pianist Jorge Bo-let ("HOAR-hay Bo-LETT"). Advanced players will discover certain unaccountable omissions: where are Monteverdi's Il Combattimento di Tancredi e Clorinda or Composers Karl Heinz Stockhausen and Max Wilhelm...

Author: /time Magazine | Title: Music: Ah-ca-PELL-cT | 5/2/1960 | See Source »

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