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Massenet's Manon is a French opera of more refined and delicate charms than Puccini's booming, Italianate Manon Lescaut, although both are based on the same Abbé Prevost novel. It is a big opera, but for best effect it needs a production with the intimacy of opéra comique-one reason it has never been much more than a singers' showpiece at the Metropolitan (last performance: 1948). Last week, as the only new production of the New York City Opera's spring season, Massenet's Manon got the kind of performance...

Author: /time Magazine | Title: Music: Manon as It Should Be | 4/2/1951 | See Source »

Last week Siepi sang his fourth role at the Met: Colline in Puccini's La Boheme. Said Bachelor Siepi, with relief: "Finally I have a chance to play a young man. Mi facio bello! [I shall make myself beautiful]." He played and sang his small role to the hilt, and when it was over he collected the same stout applause he has been getting all season...

Author: /time Magazine | Title: Music: Hello at the Met | 3/19/1951 | See Source »

...Forget. When she arrived for her first rehearsal, awed Met youngsters understood in an electric flash why Puccini and Richard Strauss lavished compliments and roles* on her. It was more than her million-volt personal magnetism. Said Conductor Tibor Kozma: "She works hard, with intensity. No monkey business. And she could give us all lessons in theater...

Author: /time Magazine | Title: Music: Million Volts at the Met | 3/5/1951 | See Source »

...most famous: Tosca, Salome, Octavian in Dcr Rosenkavalier, and the title role of Turandot, which Puccini worked on at Jeritza's house in Vienna...

Author: /time Magazine | Title: Music: Million Volts at the Met | 3/5/1951 | See Source »

...Opera (Sun. 3 p.m., NBC). Puccini's Gianni Schicchi...

Author: /time Magazine | Title: RADIO: Program Preview, Feb. 12, 1951 | 2/12/1951 | See Source »

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