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...Dostoievski and Tolstoi are as representative of contemporary Russia as are Nathaniel Parker Willis and James Fenimore Cooper of the U. S. Strange names loom on the Soviet art-frontier. To know Russian esthetics one must be familiar with the work of Theatre Producers Meyerhold, Tairov; Cinema Directors Eisenstein, Pudovkin, Room. Preobrazhenskaya; Poets Yessenin, Maiakovski, Asejev, Blok; Authors Ogniev. Bogdanov, Malashkin; Artists Gabo, Vinogradov, Radimov; and understand the meaning of the Russian symbols, MGSPS. VAPP, NEP, GOSIZDAT (or simply. GIZ), AKHRR, OSA, all of which is clearly set forth in Voices of October. The Authors. No pop-eyed casual visitors...

Author: /time Magazine | Title: Books: Soviet Culture | 5/26/1930 | See Source »

...government production and as such was intended as an advertisement of the home country rather than as the dire panorama it might otherwise have been. Its story-that of a young Russian peasant lost in the shuffle of war and disaster-excited the attention of neither the director, Vyesolod Pudovkin, nor those who viewed his efforts. The peasant and his troubles were forgotten when the chance came to show flashes of Lebedew's stock exchange interspersed with glimpses of soldiers in a muddy trench. The hero of the play was really that grotesque animal, the Russian mob: this...

Author: /time Magazine | Title: Foreign Invasion | 6/11/1928 | See Source »

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