Word: puking
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...fact, for the two days for which there's hard data, The Hangover led Up, $31.4 million to $30.7 million. Industry swamis are presumably banking on kids and their grandparents streaming to the Pixar movie on a summer Sunday, while the Warner puke-fest will have exhausted its core constituency. But that ignores The Hangover's very strong word of mouth; people who might not have gone now know this is the movie de jour. (Everybody who needs to know about Up already knows.) And as Dan Fellman, Warner's distribution chief, told the AP, "Sunday's always good...
...receiving their thick envelopes in the mail. Don’t get me wrong, I simply love spending my Saturday night with a kid smart enough to win the National Spelling Bee. Except when she comes back shit-faced from her first ever final club outing, only to puke all over my brand new rug. FML. Can you spell that, little one? Oh, and of course I’m totally into the number droppers—the ones who find the need to casually bring up their 2400?...
...love and marital fidelity, but it retains a high school level of maturity in which boner jokes and punches in the nuts abound. Although the characters are allegedly four years older than the high schoolers of “Superbad,” they still binge drink until they puke, and there is little to distinguish Eisenberg’s awkward and soft-spoken virgin from that of Michael Cera (other than the fact that Eisenberg has a car to drunkenly drive into the neighbor’s hedge). When Mottola presents a 22-year-old who expects an expensive...
...frighten the horses. About an hour into Observe and Report, mall cop Ronnie Barnhardt (Seth Rogen) has finally achieved his dream and taken the blonde, egotistical, doltish perfume saleslady Brandi (Anna Faris) to bed, basically by getting her drunk. Problem is, she's pretty much passed out, her puke staining the pillow, as Ronnie happily, obliviously churns away. He pauses for a moment to notice her comatose state, and without opening her eyes, Brandi mutters, "Why'd you stop, malefactor?" Or a 12-letter word to that effect...
...Love You, Man adheres to the current R-rated farce structure and strictures: it's got fart jokes, a couple of fist fights and a scene of turbo-puke of an intensity not seen since Linda Blair went all demonic in The Exorcist. Its agenda is that Peter can't be a man until he has a soul-dude. But this is essentially a comedy of social embarrassment; the laughs come at the expense of Rudd and any male who squeamishly sees some of himself in Peter. Rudd's performance is an acutely off-key symphony of lame rejoinders, wildly...