Word: pulido
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Dates: during 1980-1989
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Jorge Enrique Pulido, 44, producer of the Bogota TV news show Mundo Vision, and anchorwoman Ximena Godoy, 20, had just finished a Sunday broadcast. As Pulido halted his cream Renault sedan at a stoplight two blocks from the government-owned Inravision studios, a man waiting on a red Suzuki motorcyle dismounted and opened fire. Bullets from a 9-mm Ingram submachine gun hit Pulido in the throat and shoulder and struck Godoy in the leg. The gunman and an accomplice sped off on the motorcycle, as a passerby drove the victims to the hospital. By week's end Godoy...
...killed or wounded in this decade -- and the ninth and tenth known victims since the cocaine cartels vowed retaliation last August against "journalists who have attacked and abused us." Although drug lords have also menaced judges, law- enforcement officials and industrialists, they have hit news organizations with special savagery. Pulido, in fact, escaped injury in an explosion at his headquarters in June. When he was struck down last week, the national newspaper El Tiempo editorialized that the attack was probably a punishment for his years of unrelenting struggle against organized crime...
Broadcast journalists are perhaps the most at risk. Pool techniques do not work for on-the-air reporters, who can be identified by their faces or voices. Despite Pulido's bravery, many print-news executives, in fact, share the feeling of El Espectador director Juan Guillermo Cano, 35. Says he: "I think the radio people are more intimidated, and it shows in their reporting." In some cases, darker forces than fear may be at work. A small radio network, Radial 2000, was listed among the business interests of Gonzalo Rodriguez Gacha, the Bogota Mafia superchief who is wanted by authorities...
...York University and the International Press Institute. Their goal was to remind the world that their nation is, as El Tiempo said, "not a cave of thieves but the major victim of the international drug trade." Potent as their words were, more potent still was the harrowing image of Pulido cut down on his way home from an honest day's work in a land ravaged by dishonor...
...Cabot House living room works very nicely indeed--like most Harvard house common rooms, it looks like an upper-class living room. The period music is nice, but the production could use some more of it, it uses thee same songs at each tedious scene change. Perhaps Pulido should pull out the rest of soundtrack to Radio Days...