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...economic conditions deteriorating, it became clear to us that we were going to really have to pull in the rein on our expenses," says Ulsh. OBT reluctantly scrapped its live orchestra and a few of its dancers - remaining ballerinas will now pirouette to recorded tunes. "We want to preserve the artistic integrity," says Ulsh. "At the end of the day, what we're putting on the stage defines...

Author: /time Magazine | Title: Arts Groups in Tough Times Think Locally | 7/24/2009 | See Source »

Perhaps, you say, it would be better to be a Lindsay, who seems perfectly content spending her days oblivious to complication—going shopping and making hot ham water. But I don’t so much have the clothes or the hair to pull that off. And being married to Tobias could get a little awkies. Or maybe a Lucille or George Sr., who can simply will (or hire a one-armed man to help coerce) what they want done. Seems to work out fairly well for them, but I guess I’m still a little...

Author: By Aditi Balakrishna | Title: (Not So) Caged Wisdom | 7/21/2009 | See Source »

...Aditi Balakrishna ’10, a Crimson associate managing editor, is a neurobiology concentrator in Adams House. Not unlike Tobias, she’s going to take her actor’s pants off for a minute and pull her an-alrapist stocking over her head...

Author: By Aditi Balakrishna | Title: (Not So) Caged Wisdom | 7/21/2009 | See Source »

...need an entirely corrupt institution to pull one of these schemes off. You only need a few corrupt managers whose compensation may be tied to the performance of these assets in order to effectively pull off a collusion or a kickback scheme." - Upon the announcement that his office had initiated 20 criminal probes into possible securities fraud, tax violations, insider trading and other crimes relating to TARP-funded companies. (Los Angeles Times, April...

Author: /time Magazine | Title: TARP Watchdog Neil Barofsky | 7/21/2009 | See Source »

...best second lead there was. He had so many wonderful roles, in films from A Streetcar Named Desire--for which he won an Oscar--to On the Waterfront. He was an amazing reactor. For San Francisco, we were on location six days a week, and Karl used to pull me aside to work on our lines for the next week so that we would have them memorized for the first rehearsal...

Author: /time Magazine | Title: Karl Malden | 7/20/2009 | See Source »

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