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Word: pulp (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...About a week ago, a band of skinheads beat to pulp a Tajik boy in a dacha Moscow village where I live, while another gang badly stabbed two Dagestanis on a suburban train. And many of these cases will never even be registered with the authorities...

Author: /time Magazine | Title: Inside Russia's Racism Problem | 8/23/2006 | See Source »

...Jackson originated the role of Boy Willie in August Wilson's The Piano Lesson but was shunted to understudy when Charles S. Dutton became available. Jackson also spent two years as Bill Cosby's on-set stand-in for The Cosby Show. (He does a formidable Cos impression.) After Pulp Fiction made him famous in his mid-40s, Jackson settled into his current rhythm of mixing prestige projects with what might fondly be called exuberant crap. For both, his preparation is obsessive. He writes out full character biographies--"Educational background, who his parents were, what he did, where he came...

Author: /time Magazine | Title: His Own Best Fan | 8/7/2006 | See Source »

...people noticed it at the time, but in 1947 Mann vaulted from nowhere to the top rank of directors. His filmography seems to explode, with movies as lurid and paranoid as their names. Desperate. Raw Deal. Railroaded! Great pulp titles, suitable for a trashy paperback, though they were all original screen stories. (The studios Mann worked for couldn't afford to option novels or plays; their writers had to make it up as they went along...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

...stomach. He flopped to the floor vomiting his lungs out, his face gradually turning purple.") On the last page, he corrals the villain, a gorgeous blond he'd been in love with. and plugs her with a .45. Then comes one of the most pungent windups in pulp...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

...movies, weren't considered the equals of "serious" novelists. They wrote genre fiction. The New Yorker critic (and novelist) Edmund Wilson could find "the boys in the back room" lacking. Then came another irony. Later generations of critics threw off their pretensions and mined the gritty glories of pulp fiction; they cogently argued that Hammett and Chandler, and Thompson and David Goodis and others, were worth cherishing (and that writers like Wilson, who's forgotten today as a novelist, weren't.) Yet in this rush to validate the pulps, Spillane was curiously forgotten - a prophet without honor. But with profit...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

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