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Independent film fans need no introduction to Harvey and Bob Weinstein, the brothers who founded Miramax and its sister company, Dimension. From small, intimate films like sex, lies and videotape and The Crying Game to flashy game-changers including Pulp Fiction and the $300 million-grossing Chicago, the Weinsteins proved smart little pictures (as well as smart big ones) could find a wide audience if promoted properly. After leaving longtime corporate parent The Walt Disney Co. last year, the provocative pair have struck out on their own once more with a new boutique media concern simply called The Weinstein Company...

Author: /time Magazine | Title: Q&A With Harvey and Bob Weinstein | 12/11/2006 | See Source »

...because it was named after their mother Miriam and their deceased father Max. That's about as sentimental as Harvey gets. At Disney his brawls with filmmakers and show-biz executives made almost as many headlines as his shrewd, aggressive handling of such quirky hits as The Crying Game, Pulp Fiction and Chicago...

Author: /time Magazine | Title: Play It Again, Boys | 12/10/2006 | See Source »

...disparate machines to communicate? For decades, that has been a costly challenge for anyone operating an oil refinery, pulp mill or processing plant. Sensors measuring temperature, pressure and dozens of other things that govern how smoothly a process is running have long been linked via expensive wiring, if at all. Installing new sensors has traditionally called for retrofitting a factory with new wiring whose installation can cost 10 times what the measurement gauge itself does. Many new devices can't be wired into a central system because of the way factories are laid out, so data are often gathered...

Author: /time Magazine | Title: JOY WEISS: Connecting The Dots For Sensors | 12/3/2006 | See Source »

...Tomie you worry about. She gets slaughtered scores of ways, including being mashed into pulp and turned into sake, but always regenerates to induce her slaves into perverse acts of murder and torture. Instead, pity the poor wretches whose eyes turn dark and cheeks become sallow as their will power seeps away. Rendered with a high degree of realism, Ito's drawings and storytelling more closely resemble Western comics than other Japanese imports. This makes them easier to read, in spite of being printed right to left like the other Dark Horse manga books. Full of satisfyingly graphic violence...

Author: /time Magazine | Title: Horror Tales from the Far East | 10/30/2006 | See Source »

...streets, but the cops won't give up. Absolutely incredible tenacity. The insurgents know that the police are far better at finding them than we are - and they are finding them. Now, if we could just get them out of the habit of beating prisoners to a pulp...

Author: /time Magazine | Title: The Secret Letter From Iraq | 10/6/2006 | See Source »

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