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...Cool Operator Mickey Spillane, the tough-guy author who became an icon of American pulp fiction, died last month at age 88 [July 31]. Our Oct. 26, 1959, cover story addressed the spate of TV detective dramas whose heroes owed a lot to Spillane's sleuth, Mike Hammer...

Author: /time Magazine | Title: Letters | 8/28/2006 | See Source »

...Killers Robert Siodmak, Don Siegel  The Ernest Hemingway story, about two tough guys in a diner, is one of the most influential works in American lit; without it, no Pulp Fiction. The 1946 movie expands the action with a long flashback about the gangster's prey, a haunted boxer called Swede (Burt Lancaster in his first movie). The 1964 version has murderous Lee Marvin tangling with the even more venal Ronald Reagan (in his last movie). The set also includes a third film, a short by renegade Soviet auteur Andrei Tarkovsky...

Author: /time Magazine | Title: 5 Classy DVD's From the Criterion Collection | 8/27/2006 | See Source »

...About a week ago, a band of skinheads beat to pulp a Tajik boy in a dacha Moscow village where I live, while another gang badly stabbed two Dagestanis on a suburban train. And many of these cases will never even be registered with the authorities...

Author: /time Magazine | Title: Inside Russia's Racism Problem | 8/23/2006 | See Source »

...Jackson originated the role of Boy Willie in August Wilson's The Piano Lesson but was shunted to understudy when Charles S. Dutton became available. Jackson also spent two years as Bill Cosby's on-set stand-in for The Cosby Show. (He does a formidable Cos impression.) After Pulp Fiction made him famous in his mid-40s, Jackson settled into his current rhythm of mixing prestige projects with what might fondly be called exuberant crap. For both, his preparation is obsessive. He writes out full character biographies--"Educational background, who his parents were, what he did, where he came...

Author: /time Magazine | Title: His Own Best Fan | 8/7/2006 | See Source »

...people noticed it at the time, but in 1947 Mann vaulted from nowhere to the top rank of directors. His filmography seems to explode, with movies as lurid and paranoid as their names. Desperate. Raw Deal. Railroaded! Great pulp titles, suitable for a trashy paperback, though they were all original screen stories. (The studios Mann worked for couldn't afford to option novels or plays; their writers had to make it up as they went along...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

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