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When director Danny Boyle, writer John Hodge, producer Andrew MacDonald, and star Ewan McGregor cruised over from the U.K. and crashed onto the U.S. film scene last year with the brilliant Trainspotting, cinema got the adrenaline shot that the Pulp Fiction only purported to give. Trainspotting's startling ability to combine black humor, wit, romance, violence and pathos in a story about Scottish heroin addicts marked it as one of the best films of the year, if not the decade. The team embraced their incredibly risky subject matter with energy and vigor, and managed to make commercially palatable a screenplay...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: A Lifeless 'Ordinary' | 10/24/1997 | See Source »

...good movie, his book may prove useful if you get stuck with that gov. jock down the hall as your Secret Santa recipient. Few other guides would describe the title character of Patton as "The toughest, most arrogant...(and thus most interesting) son of a bitch;" the flick Pulp Fiction as a movie where "A lot of stuff happens, so pay attention;" and Under Siege as "The Navy...a chance to blow away a lot of bad guys on a really cool big boat." The movie trivia tidbits are pretty interesting, too--mentioning that 2 Live Crew sampled...

Author: By Sarah A. Rodriguez, CRIMSON SAFF WRITER | Title: Two 'Macho' Views Widen the Gender Gap | 10/24/1997 | See Source »

...similar experience. "We were turned down by everyone," says Lemmons. "They all said they loved the script, and then they'd say, 'Who is the audience for this film?'" Eve's Bayou finally won backing from Trimark--and a slender budget of $4 million--after Samuel L. Jackson (Pulp Fiction) agreed to star in and produce...

Author: /time Magazine | Title: CINEMA: COOKING UP A HIT | 10/13/1997 | See Source »

...years in the lives of a dozen or so denizens of the porn biz. Loosely based on the life of John C. Holmes, porn's biggest male star, Boogie Nights has panoramic ambitions: a tapestry-style narrative, labyrinthine tracking shots, explosions of random, firecracker violence. Nashville meets GoodFellas meets Pulp Friction. The film doesn't quite get there, but it packs a wad of compelling entertainment on its road to triple-X oblivion...

Author: /time Magazine | Title: CINEMA: DIRK DIGGLER: A STAR IS PORN | 10/6/1997 | See Source »

...great horror moment, like this one in Guillermo Del Toro's Mimic, works as both pulp and poetry. It gets scare shivers tickling the lay audience while connoisseurs nod sagely at the canonical resonance; think of the creature as Dracula spreading its capelike wings and Sorvino as both a Frankenstein whose experiment went bad and a Fay Wray to the insect world's King Kong. The roach and its sibs are Susan's mutant creations; they have the gift of mimicking other species. If Susan's commando crew doesn't Off the bugs quick, New York could become a slightly...

Author: /time Magazine | Title: CINEMA: REALLY BUGGED | 8/25/1997 | See Source »

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