Word: pulping
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...story line is also plenty gnarled, in a fashion familiar to admirers of Pulp Fiction and Kill Bill. It begins in 1988, when the main character, Oh Dae-Su (Choi Min-Sik, star of the Korean blockbusters Shiri and Failan), is kidnapped and confined without being told what his crime is or how long he will be held. The movie snakes forward to 2003, when Oh is suddenly released, but still not free; his unknown torturer now plays with him in subtler, more damaging ways. And it ends in 1979, when Oh and his assailant were schoolboys, for the revelation...
...story line is also plenty gnarled, in a fashion familiar to admirers of Pulp Fiction and Kill Bill. It begins in 1988, when the main character, Oh Dae-Su (Choi Min-Sik, star of the Korean blockbusters Shiri and Failan), is kidnapped and confined without being told what his crime is or how long he will be held. The movie snakes forward to 2003, when Oh is suddenly released, but still not free; his unknown torturer now plays with him in subtler, more damaging ways. And it ends in 1979, when Oh and his assailant were schoolboys, for the revelation...
...chases, which basically means that the film starts out being one thing but ends up being something else entirely.The film revolves around a psychotic stuntman (Kurt “Snake Plissken” Russell, in a piece of such inspired casting it rivals John Travolta in “Pulp Fiction” and David Carradine in “Kill Bill”) whose “death-proof” car serves as the primary weapon on his murderous rampage. Until, that is, he gets a taste of his own medicine from a pack of girls (Tracie Thomas...
...surprise here. The director's four or five previous features - Reservoir Dogs, Pulp Fiction, Jackie Brown and the Kill Bill tandem - paid elaborate homage to, and ran elegant twists on, action films by otherwise-forgotten journeymen who were in no recognized sense auteurs; they were no-teurs. That's been a tonic corrective to the received wisdom about films: that, yes, there are still pearls worth diving for; you just have to look in ranker, more roiled waters. Hence, Vanishing Point's Richard Sarafian, and John Hough of Dirty Mary Crazy Larry, and a true indie daredevil, H.B. Halicki...
...Frost's "Stopping By Woods On A Snowy Evening." (The QT version of that poem might end: "The road is kewl for this white trash / But I've a Challenger to smash /And miles to go before I crash...") But there's not much poetry, I mean of the pulp variety, in Death Proof. It doesn't show me much innovation, or much fidelity to the old grindhouse tropes. For example, in the seminal road movies of the late '60s and early '70s - Bonnie and Clyde, Easy Rider, Vanishing Point, Dirty Mary Crazy Larry - all those careening, careering antiheroes ended...