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...After the public accusation, Hiss filed suit for libel in Baltimore, asking $75,000 damages. In a pretrial hearing, Hiss's lawyers challenged Chambers to show proof of his relationship with Hiss, and Chambers produced the famous "pumpkin papers." They were yielded to the Department of Justice, which in turn called back the grand jury. The grand jury then indicted Hiss for perjury, the count on which he was convicted and sentenced at his second trial. A year later, the libel suit was dismissed for lack of prosecution...

Author: /time Magazine | Title: Letters: Aug. 4, 1961 | 8/4/1961 | See Source »

...nephew, who had stored them inside an unused dumb-waiter shaft. But even then, Chambers did not produce the microfilm-later he explained that he was afraid it might contain material that would damage other people. With characteristic melodrama, Chambers hid the film roll in a hollowed-out pumpkin in a field on his Maryland farm, surrendered it only when he became convinced that a committee counsel suspected him of withholding evidence. Discouraged by the "indifference" of the world, Chambers later said he had tried to kill himself during the trials. But even his suicide attempt was bizarre: he sniffed...

Author: /time Magazine | Title: Historical Notes: Death of the Witness | 7/21/1961 | See Source »

Colors show a reaction against last year's brilliance. Pink and purple, though still blindingly around, are moving aside for brown mixed with black and other softer combinations. A fashion show put together by the buying house Felix Lilienthal & Co., highlights such colors as cognac, pumpkin, mustard and apricot. Mollie Parnis and Hannah Troy are two of many showing soft brown, smoky green, and blue (robin's egg, peacock) for daytime. Arthur Jablow's collection by David Kidd includes suits in browns from palest beige through butterscotch to ebony, while Jane Derby combines navy and green. Though...

Author: /time Magazine | Title: Fashion: Fall Preview | 6/16/1961 | See Source »

...Late Late Pumpkin. Two longer fables are also memorable. The first is a Cinderella-and-tonic tale called Passionella, in which a forlorn chimney sweep named Ella sits by the TV set one night when her "friendly neighborhood godmother" turns her into Passionella, a gorgeous movie queen. But the spell works each day only between the first commercial of Huckleberry Hound and the last blab of the Late Late Show. The other playlet, George's Moon, is an astringent parable of faith, hope and hostility. George is a worried little man who lives alone on the moon, counting craters...

Author: /time Magazine | Title: Nightclubs: Pied Feiffer | 5/26/1961 | See Source »

...stands for Everyman, through successive stages of degradation. First the reporter casually leaves the girl (Yvonne Furneau) who really loves him and goes off with a rich bitch who seems to symbolize ancient Rome itself, the Great Whore of Revelation. Then he tries a popular sex substitute, a pumpkin-breasted, pea-brained Hollywood star (played by Anita Ekberg). On the third night, he covers a fake miracle involving a tree in which the Madonna has supposedly been manifested. When the miracle fails to transpire, the crowd attacks the tree-by obvious inference, the apocalyptic Tree of Life, whose "leaves were...

Author: /time Magazine | Title: Cinema: The Day of the Beast | 4/21/1961 | See Source »

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