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...scans the audience to start his new one-man show, Much Ado About Everything. Indeed, it's a wonder that they are let in the building--Mason realizes his audience is virtually 100 percent Jewish and tailors his comedy appropriately. Sure, he occasionally delivers the universally appealing punch line, but even those seem unintentional--Mason knows his audience and boldly refuses to make his comedy broadly palatable. A gutsy approach but one that pays off in spades...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Chutzpah, the Musical: Jackie Mason Yuks Up 'Much Ado About Everything' | 11/6/1998 | See Source »

Even the Rambo-esque ending cannot save this movie. The audience does at least get to root against the new military (commanded, ironically, by a handful of ridiculously-foppish officers) and cheer when Todd lands a punch. Despite the gory violence, the predictable plot and obvious themes in the film are, in some ways, more painful experiences for the audience. A respectable performance by one actor and the creation of a stunningly vast garbage heap constitute the highlights in a film that cannot last very long in theaters where only the best films survive...

Author: By Stephen G. Henry, CONTRIBUTING WRITER | Title: MEN OF WAR | 11/6/1998 | See Source »

...related in the sweet, slow molassesconversation of these two old men. The style islike the slow tourist boats that puff down theRhine, playing the uncanny Lorelei, the ballad oflove lost on the Rhine's violent rocks. It is thesort of voice Roth always does well, but it losesits punch when scattered across two differentpersonalities...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Roth's Best Title; Not a Bad Book Either | 11/6/1998 | See Source »

Brown, led by the explosive duo of Coyne and Perry, will send the Ivy's best offense against the Crimson, who will counter with the its own one-two punch of Menick and Linden...

Author: By Richard A. Perez, CRIMSON STAFF WRITER | Title: IVY LEAGUE FOOTBALL ROUNDUP | 11/4/1998 | See Source »

Suys, who has been playing the guitar for nineteen years, provides most of the punch behind Nashville Pussy's music. In the rip-roaring "Go Motherfucker Go," Suys proves herself to be more than just a passing instrumentalist, with admirable riffs that pretty much make the song. The fiery introduction to "All Fucked Up" is an exceptional example of her skill. Any notion that "chicks" can't cut it in the heavy metal world will quickly be put to rest by her amazing guitar pyrotechnics; as she is one of the few truly talented female guitarists in rock and roll...

Author: By Myung! H. Joh, CONTRIBUTING WRITER | Title: They Came from the Grand 'Ole Opry | 10/30/1998 | See Source »

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