Word: punch
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...things about Shannen Doherty. One, her face is more symmetrical in person than it is onscreen. And two, if you visit the set of her new WB series Charmed and happen to sit in the canvas director-style chair with her name stenciled on the back, she won't punch you in the face or break a beer bottle over your head when she finds you there. In truth, she's perfectly gracious and nonvolatile. Is there anything more you really wanted to know on the subject...
Those who squirm over Shepard's life-style might have felt more righteous last week when it was reported that he'd made a pass at a bartender in Cody last summer, got punched in the face and falsely reported to police that he'd been raped. (No charges were filed.) If only a punch in the face were the stiffest penalty for making a pass...
...sound stoned. But soon they're your friends. Sifl and Olly sing songs, argue and interview the likes of an orgasm, a nine-volt battery, the Grim Reaper and an atom in one of Elvis' combs. The show's unscripted feel and sub-Kukla production values make the bizarre punch lines even more jolting. The chemistry between the puppets springs from the longtime friendship of Liam Lynch and Matt Crocco, two childhood friends from Nashville who, while in different colleges, used the voices on each other's answering machines. Now struggling musicians with radically divergent musical tastes, they collaborate...
...sounds of Spanish guitars. B-Real spits out "Tequila Sunrise/Bloodshot eyes/Realize we are born to die/SO GET THE MONEY!," which is quite ironic since Cypress Hill is one of the few rap groups that is yet to become a sell out. The album ends with a powerful one-two punch, first with the epic-styled "Clash of the Titans," which tells of bloody swords and slayings, and finally, "Lightning Strikes," which is set to a series of blistering heavy-metal guitar riffs...
Beethoven's Egmont Overture--massive sound, intensely impassioned playing, all of the raging emotion of the Romantic era packed into a nine-minute punch that should simply overwhelm you with its sheer volume of sound and feeling. Sound right? Not if you were Christopher Hogwood and you were directing the Handel and Haydn Society's all-Beethoven concert last Friday. Hogwood's Period Instrument Orchestra presented Beethoven as he would have been heard in the early 1800s, offering the listeners a challenging yet very satisfying way of experiencing his music...