Word: punche
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What accounts for the difference is a number of factors. The depth of the disturbance in the ocean, for one. A wave that's 4 ft. high but projects its energy several hundred feet deep is going to pack more of a punch than a wave whose power is confined to the surface. Another critical variable is the shape of the ocean bottom. Surfing hot spots, or "breaks," are usually places where there is a sudden transition between deep water and shallow. Thus, as waves roll in, they are forced to leap up and over an underwater barrier. For example...
Overall, there could be no better sign of the economy's internal strength than its ability to roll with a punch as hard as the one from Asia and still squeeze out a fairly good year. Some reasons for that strength: rising productivity, which is at last increasing workers' real wages without pushing up prices, and government policies that Sinai pronounces "eerily" wise. Most important, of course, is the swing from gargantuan budget deficits in the 1980s and early '90s to an expected small surplus this fiscal year, with more to come. Kaufman notes a continuing boom in business investments...
...then, the South Park phenomenon is a benign one. Nevertheless, there is a problem: while the show has many virtues, it should be smarter and more surprising. It's a pretty stale idea now to think that Streisand and David Hasselhoff and MacGyver are instant punch lines, and in general Parker and Stone express too much fascination with cheesy pop culture, a subject whose interest has been exhausted. As for their "satire," is it really so very clever to give Jesus a public-access show? Were not stoned sophomores dreaming up this sort of thing 20 years ago? Most troubling...
...punch of Walker's exhibit is that it refuses to render the challenge of race into a simply rhetorical question. As cynical as the show is, it demands a solution from its audience. Like psycho-analysis, Walker's work reminds the viewer of things that she does not like to know that she knows. It confronts the audience with the grotesque, debasing racial stereotypes that are embedded in our collective psyche, with the hope that bringing them to consciousness will be the first step to their eradication...
Even on the level of scale, Walker distorts the niceties of hand-held, 19th century bourgeois silhouettes. The near full-scale images in her surreal world aren't genteel keepsakes or familiar racial epithets. Walker's anti-stereotypes wouldn't make good logos on syrup bottles or tidy punch-lines to racist jokes. Rather, the very icons designed to suppress and stigmatize blacks return magnified and grotesque to haunt our collective conscience. Most shocking of all, the pickaninnies have appropriated the garb of paper silhouettes, the charming craft of their mistress' reaction...