Word: punched
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...might scare the badge right off Eddie, Sal treats his excursions into the dens of drug dealers as financial Easter egg hunts, killing without compunction, then riffling around while everyone else is engaged in gunfire in the other room. Sal can shoot without ever missing his mark, he can punch, he's cool. Not movie-star cool the way Washington was in Training Day but an authentic worm, a dirty cop we can both relate to and not lionize. Hawke's reactions and witty asides are pitch perfect. He even looks dirty. I'd watch him every week...
...part of my job is analyzing other people's writing in order to make fun of it and feel superior. And by far the worst writing inflicted on the largest audience each year is the Academy Award acceptance speech. So on behalf of Oscar viewers everywhere, I offered my punch-up services for free to several of the nominees this time. All of them turned me down. Their main concern seemed to be revealing their speeches in advance to a journalist. They must be aware of the making-fun part...
Palin posted on Facebook that the scene was "another punch in the gut." This time, however, Palin's outrage prompted not an apology but a smackdown, from Andrea Fay Friedman, a Family Guy voice actress - who actually has Down. "My parents raised me to have a sense of humor," she said. "My mother did not carry me around under her arm like a loaf of French bread the way former governor Palin carries her son Trig around looking for sympathy and votes." Ouch. Cartoon 1, Politician...
Also impressive is Jerome Stephens Jr., who plays the young Simba. Though only a skinny boy of nine, he manages to pack a musical punch. While his lines largely read as formulaic and somewhat trite (“I just want to be brave like you, Dad,” he insists cloyingly to his father), and the development of his character is confined to the wild, wide-eye child role, he’s undeniably a vocal powerhouse packed in a pint-sized body...
...performed Fourth from disappearing beneath the pyrotechnics of its younger sibling. Levine’s rendition of the Fourth danced ahead at a quicker pace than most performances, particularly in the second and third movements, but on the whole the sprightly tempo allowed a refreshing balance of line and punch where one is normally sacrificed for the other...