Word: punk
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Dates: during 1990-1999
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...Roland Stewart, the ubiquitous fan with the rainbow-colored Afro wig who appeared at nearly every televised sporting event in the 1980s before he snapped violently and was arrested after a shootout with police. As Alexander explains, "We behave like gentlemen at the studio, but we try to write punk-rock material...
...always liked mismatched stuff, really. We like rock and roll like Buddy Holly and Elvis Presley, we've liked the Beatles and Rolling Stones, we liked punk, and stuff [like] Soft Machine. We've liked folk music, country music...We've been going for eight years, so I suppose we've listened to a lot of records over that period of time as well...
...players. Gavin O'Connor, also in his debut performance, is good as the frustrated, traditional trucker Jack; kudos also to Jay O. Sanders, for his sensitive portrayal of Dan, and some great scenes with Brown's character Ava. Cody McMains is a delight as Ava's 12-year old, punk-haired boyfriend, and up-and-comer Laurel Holloman matches McTeer's spunk as a close friend of Mary Jo. Director O'Connor had some terrific talent to work with for this film, and gives each one of them a chance to shine-or, in McTeer's case, to sizzle...
...chic: high collar, olive-drab frock, tight mug. But somehow, when she and Hansen stepped up to their microphones, it was all okay: Sadier's harshness and Hansen's softness mixed together as well as Stereolab's other songwriter (and founder) Ti Gane can mix Muzak and German post-punk, the listless vocals carried along like a beauty queen in a homecoming parade of sound clips, acid jazz and dippy...
...Machinal's flirtation with experimental theater achieves its completion in the last scene. The costuming is radical; both Parris and Agresta, executioners, are dressed in metallic-punk-dominatrix suits, and Gunn, the priest, wears a silver robe. The sense that all dialogue is a voice-over creates the impression that the actors are merely odd configurations of marionettes. In this scene, people have fully transformed into machines. Helen's appeals for mercy seem to be almost rays of light bouncing off the darkened stage, for she is the only lit figure. Suddenly, strobe lights destroy the darkness, and the execution...