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...know that many of you understand why that teenage punk is getting what he deserves. Here in Singapore, we believe in making criminals, and not crime, pay. All of your State Department's fancy talk about "Rights" is ill-spent indignation. We Singaporeans understand that it is the law-abiding citizens whose rights should come first. And our infinitely wise government has preserved these rights successfully. How? By meting out the occasional harsh punishment to criminals. Sure caning is no picnic, but every would-be criminal in our country knows that the consequences of being caught surely outweigh the momentary...

Author: By Martin Lebwohl, | Title: Singapore's Teenage Pinata | 4/16/1994 | See Source »

SINCE HIS ARRIVAL ON THE POST-punk scene 17 years ago, Elvis Costello has shown himself to be one of the most prolific and protean songwriters of his generation. Known for lean, melodious three-minute songs with scathing lyrics about sexual guilt and revenge, he reigned for more than a decade as the acerbic headliner of progressive pop. Then came the '90s. Once a skinny faux nerd, Costello put on weight and grew a beard. His last pop album, 1991's sentimental Mighty like a Rose, was a disappointment. After last year's The Juliet Letters, a sedate song cycle...

Author: /time Magazine | Title: MUSIC: Return of The Rude Boy | 4/11/1994 | See Source »

Carousel sentimentalizes the redemptive power of parenthood for Billy, a pettish, self-pitying idler and punk whom Hayden plays with an early-Brando sneer. Becoming a father may not make an abusive husband saintly; it often just gives him a new victim to pummel. A compelling actor, Hayden is not enough of a singer -- he loses his way rhythmically and sounds faint in the score's one modernist number, the anthemic Soliloquy ("my boy Bill"), which ends the first act. Sally Murphy is too bland to evoke sympathy as Billy's doormat of a wife...

Author: /time Magazine | Title: THEATER: This Carousel Doesn't Go Anywhere | 4/4/1994 | See Source »

...Daniel Day-Lewis play English goons, Irish louts and American woodsmen. In 1986, in the early bloom of his career, his first two major English movies opened back to back in the U.S. He was a purring snob in A Room with a View, an ex-fascist gay punk in My Beautiful Laundrette. Just like that, a chameleonic star was born...

Author: /time Magazine | Title: CINEMA: Dashing Daniel | 3/21/1994 | See Source »

...emotional stuff to a very loyal audience. On Saturday night the Record Hospital becomes "Rhythm 95," and the music changes to a combination of rap, hip hop, dance hall and funk. Sunday nights the station returns to Record Hospital and plays songs that are more closely tied to the punk movement of the late 1970s...

Author: By Ethan A. Vogt, | Title: The Record Hospital: A Healthy Kind of Sick | 3/17/1994 | See Source »

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