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From the start, this band had a sound recklessness. was both brash and melodic. The Pretenders burned through the pomp and pose that had crusted over the British punk movement by 1980. Other bands, similarly adept and not so heavily brushed by fate, disintegrated. The Pretenders, to everyone's astonishment, including their own, turned out to be survivors. There are two new members now: Lead Guitarist Robbie Mclntosh and Bass Player Malcolm Foster. The two veterans, Hynde and Drummer Martin Chambers, have made a separate peace with the past by putting a stake in the future. Hynde...

Author: /time Magazine | Title: Music: Tunes from the Deep End | 4/30/1984 | See Source »

...Lucien Edwards Jr., 69, is black, dignified and not to be trifled with: he bashes a metal pipe into the back of Leon's head. The foreman, Coleman Peets, sees this fatal act as providential. He has been worrying for days about how to get rid of the punk without killing him himself. The police arrive and accept with little reluctance Peets' description of an accidental death. No one is exactly happy that Leon is gone, but neither does anybody think it worthwhile to make a fuss over the manner of his departure...

Author: /time Magazine | Title: Books: Five Auspicious, Artful and Amusing Debuts | 4/2/1984 | See Source »

When melodrama did surface at the festival, it could seem as out of place as a punk in an Amish Sunday school. John Patrick Shanley's Danny and the Deep Blue Sea sets a couple of urban pit dogs-a Bronx hoodlum (John Turturro) and a vagrant young mother (June Stein)-at each other's throats with coarsely romantic results, but the conclusion is too optimistic to be quite convincing. The Undoing, by William Mastrosimone, offers promise of a fascinating character: a woman (Debra Monk), now running her late husband's poultry business, whose rage...

Author: /time Magazine | Title: Theater: Straight from the Heartland | 4/2/1984 | See Source »

...record industry stuck on the border between the ruins of punk and the chic regions of synthesizer pop, Thriller was a thorough restoration of confidence, a rejuvenation. Its effect on listeners, especially younger ones, was nearer to a revelation. Thriller brought black music back to mainstream radio, from which it had been effectively banished after restrictive "special-format programming" was introduced in the mid-'70s. Listeners could put more carbonation in their pop and cut their heavy-metal diet with a dose of the fleetest soul around. "No doubt about it," says Composer-Arranger Quincy Jones, who produced...

Author: /time Magazine | Title: Why He's a Thriller | 3/19/1984 | See Source »

...Jackson stands up and puts on a brown leather jacket. We get ready to leave. Jackson says, "You hungry? You Like Chinese?" We drive down Hollywood Boulevard in a big blue Mercedes convertible to his favorite Chinese restaurant, Ting Ho, in Hollywood. Two plainclothes policemen are frisking a white punk in the parking lot. We eat steaming platefuls of shrimp and chicken with Chinese pea pods. "No one cooks at home," he says. "I'm the only one who eats meat. The rest eat only vegetables." Jackson is very shy. He has no idea what to talk about...

Author: /time Magazine | Title: Show Business: He Hasn't Gone Crazy over Success | 3/19/1984 | See Source »

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