Word: punkness
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Dates: during 2000-2009
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...Then There Were None. The second Saw repeats characters and torture implements (the reverse bear trap) from the first one. How many variations on body-piercing and self-puncturing can there be before the audience tires of the repetition, or gets exasperated and shouts, "You've been punk'd"? It also has a much larger cast, all of them seemingly graduates of the Off-Hollywood School of Bad Acting. Only Bell, hoarse and recriminating in fine Old Testament God fashion, can summon the depraved grandeur his character requires...
From the very beginning, the Colombian band Aterciopelados (meaning "velvety ones") was everything most Latin music was not: politically minded, overwhelmingly feminist and comically ironic. The band, made up of front woman Andrea Echeverri and bassist/producer Hector Buitrago, mixes punk, surf guitar and ska with folky Colombian styles such as vallenato, a bouncy, accordion-heavy genre. And unlike her Latin pop cohorts, Echeverri eschewed make-up and belly-baring tank tops in favor of piercings and tattoos. When the band hit the Bogota rock scene in 1991, the establishment barely knew what to make of them...
...punk-inspired fusion of rock and folk, their first hit album, 1995's El Dorado, proved that they were more than just a local conversation piece. In fact, at the time, the album turned them into the biggest-selling rock band to come out of Colombia. Their 1997 follow-up, the more polished La Pipa de la Paz, cemented this reputation and earned them rave reviews in the U.S. as well...
...band breaks out of this mold for a few ballads and genre experiments. The less said about “The End,” which strikes an acoustic, almost alt-country posture in its first minute, the better. “Mama” flirts with cabaret punk, with a level of success that depends completely on how much you like 1) that sub-genre and 2) Liza Minelli, who guest stars. “I Don’t Love You” is a guitar-driven lament that reaches almost Nickelbackian proportions of blandness...
...takes its cue more from “Bohemian Rhapsody” than from the latter-day Green Day, which much of the rest of the album resembles. The song starts slowly with piano and military drum and ends up with a huge rock chorus, passing though the purest punk the album has to offer. The lyrics are as dark as anything else in the album, but here the music finally lets the listener have some...