Word: punkness
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Rice has in its radio station, KTRU, possibly the most archetypical "college radio" station in the country. Unlike Harvard's student-run WHRB, which plays commercials and follows a structured, fixed format, KTRU plays an eclectic mix of punk, ska, underground hip-hop, world music and several other genres. Like WHRB, KTRU is housed in university space and puts the university name on its letterhead. Unlike at Harvard, however, Rice undergraduates fund the station directly. KTRU also allows anyone to apply for a DJ position, although students receive a preference...
...another stage, is a showcase for up-and-coming young Brazilian acts as well as a few established masters. And finally, there's the main stage, Palco Munda, a huge white tent that looks like a daisy gone to seed or the back of an albino armadillo or a punk rocker with spiky bleached-blank hair. The front of the tent is cut off and the stage is open to an enormous field which is about half full of people. The crowd is mostly young - teens, twentysomethings and thirtysomethings - though the first day is unofficially billed as oldies night. Many...
...album with a few bonus studio tracks that paid tribute to musical rebels. The extra tracks turned out so well that the band members decided to turn the CD into a collection of cover songs. Renegades includes songs by the hip-hop duo Eric B. and Rakim (Microphone Fiend), punk pioneers MC5 (Kick Out the Jams) and even folk rocker Bob Dylan (Maggie's Farm). Rage's versions radically transform the originals, altering the melodies and providing fresh rhythmic fire. Paying homage to rebel heroes, Rage has confirmed its place among them...
There's no chance of mistaking this record for its decidedly happier counterpart, as the snarling guitar barrage of "When It All Goes Wrong Again" and the fervent punk of "All Fucked Up" stand in total contrast to the tinkling notes that opened Learning How To Smile. While that first volume was a sweet and eclectic (and perhaps corny) manifestation of Art Alexakis' nostalgia, its successor rips those dreamy sentiments to pieces without even bothering to pause for breath. From its bitter opening to its bittersweet conclusion, the distorted fuzz-guitars scarcely let up, striking and churning in sullen anger...
Personally, I was a vehement pop music hater in high school. My conception of good music included Dave Matthews Band, alternative rock, ska-punk and little else. (Alright, so I did always have an 80s fetish). I didn't listen to much besides that, resulting in constant radio-control battles in the car with my rap-loving younger brother. Watching TRL was like being assaulted by singing Teletubbies. I couldn't tell N'SYNC and the Backstreet Boys apart, in pictures or on the radio...