Word: punkness
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This isn't a victory. It's a defeat. A defeat for the NBA, which tried to discipline a rogue player with a well-deserved reputation for being a punk. A defeat for the Warriors, who will have to pay the aforementioned punk the rest of his $32 million contract. A defeat for Sprewell, who is less likely to change his self-destructive behavior now. And a defeat for decency...
...these two stories get you totally down, however. For every punk like Sprewell, there's a class guy like Hakeem Olajuwon. And for every complainer like O'Neal, there's a stand-up guy like Michael Jordan. But it seems like the good guys are getting older, and the younger generation doesn't have the same attitude. Their behavior is turning people off to basketball. That's the real injustice, John Feerick...
...Little Plastic Castle, starts off with a jolt. We've come to expect shocks from DiFranco--she's a rock maverick, a singer who owns her own label (Righteous Babe Records of Buffalo, New York), who refuses to sign to a major record company and who performs often raucous punk-folk songs about music-industry greed, abortion and her own bisexuality. DiFranco is so fiercely protective of her work that she was miffed when a recent cover of one of her songs, 32 Flavors, by newcomer Alana Davis added a few lyrics (Davis' rendition, by the way, is terrific...
...helped bring some rhythm back into rock. His brilliant 1995 album, Timeless, was instrumental in founding the genre of drum 'n' bass--pulsating, mostly danceable music driven by clubland bass grooves and propulsive percussion. Today's rock 'n' rollers are reveling in the groove, from Prodigy's brutal electro-punk, across the musical galaxy to the ska-rock band Smash Mouth's upbeat remake of War's Why Can't We Be Friends? Goldie wasn't the only influence, of course, but the sea change has been profound: if you listen to Yield, the grandfatherly new album by alternative-rock...
...helping create trip-hop, the musician Tricky moved on to more unsettling sounds. Goldie's Timeless is a smart, soothing album, with sweet-soul soundscapes that sweep the listener away. Saturnz Return pushes further and rocks harder; it seeks not only to embrace drum 'n' bass but to explore punk and classical music as well. The first song, an hourlong track called Mother, is an excessive, intermittently impressive number, complete with a 30-piece orchestra. Another song, the jagged Temper Temper, features gritty guitar work by Noel Gallagher of Oasis and snarling vocals from Goldie. A subsequent track, Digital...