Word: punks
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...comp plays a large role in nurturing and maintaining Harvard’s small group of DIY devotees. Largely based around punk and hardcore music, the intensive comp process involves weekly lectures about different genres as well as a weekly listening assignment of about 10 albums. “You learn about this from a very historical perspective,” former RH director Baris C. Ercal ’10 says. “It’s all contextualized. Everything is just put together in a way that’s very interesting, and I feel like...
...Though students like Damon and Ercal got involved in local scenes in high school, many RH compers arrive with a more general interest in indie rock and punk. For them, the comp process is an invaluable learning tool. “If you don’t really have a context for it, you might find it abrasive or you might not understand where it’s coming from, why it might be important in the genre,” Humphreville says. “But I think the way the comp process works, you build up to that...
...they’re more active [in the scene] than any other university in Boston,” Daniel Striped Tiger’s Bogan says. “It’s just funny that every year they consistently hold what I would consider to be the best punk show in Boston for the entire year,” drummer Dan Madden adds...
...misleading, because it masks the diversity of bands within the scene. Asked to describe his band’s sound, Bogan calls it “post-hardcore art-rock jazz indie.” “I think it’s best keeping it to punk,” St. Claire interjects. “It’s punk. It’s loud...
...Fest opened with the three-chord garage rock of Thick Shakes, which quickly gave way to the long, intricate, feedback-heavy compositions of Life Partners. Exusamwa combined manic punk with a performance art aesthetic—Sawyer spent the entire set in a wheelchair, her face bandaged and her voice howling, while her bandmates all wore red-stained OR scrubs—and Quits played experimental noise music. Daniel Striped Tiger played a cleaner, jazz-infused brand of post-hardcore, while L’Antietam’s heavier, more distorted songs featured complex tempo changes and polyrhythms. The audience...