Word: punks
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...Their Own,” but they’ve all already fallen and dried. When Winehouse opts for smooth, tasteful jazz as in her sixth track, “Love Is A Losing Game,” she sounds more like Nancy Wilson than a rebel-punk Mary J. Blige. If she’s willing to go balls-to-the-walls tasteless in her lyrics, why not take it all the way and do something really crazy...
Okay, buzzing disco-funk-punk-electro-warehouse children, prep for white irony all topped off in sweated-out curls, because “Myth Takes,” the latest from !!!, has landed. “Myth Takes” aspires to present !!! in all its diverse dance-inducing glory, but if the album proves anything, it’s the difficulty of successfully appropriating multiple influences to make something that both works and makes bodies work. From their name alone, !!! aspire to be all unexpected fun—or cultural pirates. The symbol ! is used to denote a mouth...
...winner, a show that does justice to its elegant new quarters and tickles the imagination as well. The exhibition, open until May 7, features that rarest of commodities, a Luxembourg-born artist: Michel Majerus, who in an intense, tragically shortened career fused Pop, Minimalism and other genres with a punk sense of fun. Majerus was more a painter than a video or installation artist, so most of the 250 works in the show are canvases - big ones, some the size of billboards, all throbbing with color, text and images purloined from comic books and advertising, which he often subtly subverts...
...goal is to entertain. Whether or not their form of fun-making is based more in music than in comedy has never been a matter of concern for the geek-punk quartet. The video for their most popular song to date, “Here We Go Again,” is the model of this philosophy. With the kinetic energy of a sports car commercial—see catchy hook, driving beat, impressively syncopated multi-treadmill dance routine—it earned the boys a reputation as innovative video auteurs. The music video for their newest single...
...record label difficulties—not to mention a grand parting of ways—The Ataris have finally re-emerged with “Welcome the Night,” their sixth studio release. However, this phoenix lacks the fire to make it the glorious rebirth the pop-punk-cum-alternative band had planned for its first album since 2003. Despite a strong effort by the recently resuscitated group (lead singer Kristopher Roe is the only original member remaining), you may be left wondering what’s become of The Ataris’ catchy, youthful sound. With this...