Word: punks
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Artie’s first big number shuns the original recording of Billy Idol’s punk classic and instead emulates Nouvelle Vague’s acoustic cover, turning a bouncy, carefree tune into a ballad about loneliness and invisibility. FlyBy has been reserving its A’s for showstoppers – “Rehab,” “Don’t Stop Believin’,” “Somebody to Love” – but this is one of the best numbers we’ve seen...
...going to make you a better person through its “art.” However, by combining the simple rock ’n’ roll sounds from by-gone days when it was still cool to be happy, and the shit-all attitude of punk, with lyrics often explicit enough to make a college frat-boy cringe, King Khan and BBQ deliver an album that will make you dance and forget all shame...
Since 2001, Chris Carrabba and his not-so-merry band of pop-punk troubadours have been quietly establishing Dashboard Confessional as one of the decade’s most consistent alternative rock bands. Saddled with the much-overused “emo” stigma, Carrabba’s music—combining the heartfelt, earnest lyrics of U2 and late R.E.M. with the gift for swelling, melodic pop hooks of ’90s bands such as the Goo Goo Dolls and Gin Blossoms—surpasses the restrictions of any disparaging genre classification...
...right / Oh Jesus, I’ve fallen.” The song’s religious overtones do not quite fit with the remainder of the adolescent-themed album, but thrown listeners will feel right at home as the record then effortlessly transitions into a somewhat predictable pop-punk nugget, “Until Morning.” Armed with chugging guitars and swelling vocals, Carrabba asks his lover to stay by his side, proclaiming, “If this is heaven, or if it’s just a warning / Say you will stay with me, even...
...musicians while condemning the “yuppie expansion.” “Everything seems to go wrong once I stop drinking,” he bashfully declares at the song’s opening. He’s one of the decade’s finest punk rock ne’er-do-wells, and his music reaches its maximum potential when he embraces this role rather than rejecting...