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...lawyer and journalist. Husband Mesritz resolved that Lily should sing, took her to Alberti di Gorostiaga, an elegant Spaniard who ignored French gender but knew everything about bel canto singing technique. Exclaimed di Gorostiaga: "Mlle. Pons, he is a charming, a gentle lady, he is the most hard-working pupil of my life, he has the range of Patti...

Author: /time Magazine | Title: Music: TRILLER IN UNIFORM | 12/30/1940 | See Source »

Most violinists were content to let him keep his unplayable piece to himself. Not so Louis Krasner. This bald, soft-spoken Boston fiddler had already won sympathetic cheers for fighting his way through a similarly cacophonous, crossword concerto by Schönberg's pupil, Alban Berg. Stung by this new challenge, Krasner sent for Schönberg's piece and started in on it. For thankless months he sawed, plucked and stabbed away at its impossible chords and tuneless, jittery rhythms. "It was six months." said he, "before I began to understand...

Author: /time Magazine | Title: Music: Not Hard Enough | 12/16/1940 | See Source »

...painters, the top-notch trio of Homer, Ryder and Eakins. There were plenty of surprising items: a huge, romantic, melodramatic scene by Copley, Watson and the Shark; a nude, Ariadne Asleep in the Island of Naxos, painted in a day when nudes were taboo, by Gilbert Stuart's pupil Vanderlyn; a pioneer surrealist work, Deluge, by Washington Allston, with limp white corpses, fantastic serpents, a four-fanged she-wolf; Raphael Peale's After the Bath, in which the ultra-realistic painting of pins in a towel antedated the work of meticulous Realist William Harnett...

Author: /time Magazine | Title: Art: Americans Only | 11/4/1940 | See Source »

...huge canvas for himself in "Porphyro and the Beadsman," but it reads as clumsily as the title itself. Pols, naturally enough for a Harvard student, lacks the maturity to put in black and white the mental conflict between a priest, grown dubious of his calling, and his former pupil who struggles to save him and "fill him with his own exulting strength...

Author: By Lawrence Lader, | Title: ON THE SHELF | 9/24/1940 | See Source »

...running away with Liszt after they had wept together over one of those novels by George Sand in which the heroines always prefer passion to domesticity. The Piffoel family was Authoress Sand and her children. Part of the confusion of genders came about because Liszt's brilliant pupil, Hermann Cohen, another of the party, insisted on wearing girl's clothes. Madame Sand insisted on wearing men's clothes. They were Romantics, and these were the signs of their emancipation...

Author: /time Magazine | Title: Books: Roses & Cabbages | 9/9/1940 | See Source »

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