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...Performing on street corners or on flatbed trucks, earning their keep by pass-the-hat collections, these dramatic revolutionaries have but one purpose: to "radicalize" their audiences into action and rebellion, Recently, three of the best-known guerrilla organizations -the Mime Troupe, New York City's Bread and Puppet Theater and California's El Teatro Campesmo-gathered at San Francisco State College for a five-day "theatrical orgy" of radical plays...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

...themselves the "Gorilla Band," offered a blatantly sardonic, nose-thumbing rendition of favorite American songs like Yankee-Doodle The plays included an antiwar skit with the central image of a crutch topped by a meat grinder, a 15th century farce about the evils of the profit system and a puppet show featuring little black panthers and a little white "fuzz...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

...less a dramatic polemicist is Peter Schumann, 34, a German sculptor and choreographer who came to the U.S. seven years ago and organized the Bread and Puppet Theater. Schumann and his fellow actors perform mostly in New York City slums where, since receiving a grant two years ago, they run workshops in which ghetto children can make puppets. Before each performance, the company tears fresh loaves of pumpernickel into bits and passes them through the audience-an artistic communion that both engages the viewers' participation and sets the group's humanistic tone. "All of our shows...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

Making Noise. Where the Bread and Puppet Theater leaves off, El Teatro Campesino (the Farm Workers' Theater) begins. It does not simply point out evil but demands immediate action to eradicate it. An example of contemporary folk art, the Teatro has traveled the dusty roads of California's San Joachin Valley for three years, giving artistic moral support to the strike of César Chávez's Mexican-American grape pickers. The players encourage a revivalist atmosphere of hand clapping and shouting. "We like to make noise," says Director Valdez, who studied drama...

Author: /time Magazine | Title: Repertory: Guerrilla Drama | 10/18/1968 | See Source »

...Tibetans have bravely tried to resist their destruction. Fierce mountain tribesmen staged bloody rebellions, and Tibetans forcibly recruited into the army have on occasion turned their weapons against the Chinese. Peking's puppet "Tibet Autonomous Region" collapsed because Tibetan "collaborators," including Mao's own Peking-groomed leader, the Panchen Lama, refused to cooperate with their Chinese overlords any longer. The Chinese had to establish a military dictatorship, and last fall Peking formally abandoned all pretense of Tibetan self-rule...

Author: /time Magazine | Title: Tibet: Himalayan Hell | 9/13/1968 | See Source »

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