Word: purcelle
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Dates: during 1940-1949
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The Radcliffe Choral Society began the program with Purcell's "Nymphs and Shepards," and then modulated into Bartok's "Don't Leave Me" and "Only Tell Me," and concluded with a rhythmic rendition of Shubert's "False Noble." Continuing with Milhaud's "Psalm CXX," the Harvard Glee Club ended their...
With Mendelssohn's "Laudati Puerl" as their featured chorale, the Radcliffe singers presented works representing both modern and classical composers. Purcell's "Nymphs and Shepherds" was the opening piece and was followed by works by Shubert, Gluek, Sweelinck, and Constantini.
16th and 17th century music start off the program. Choral writing got under way before orchestral, and these centuries were more or less its golden age. I am told that "Nymphe and Shepherds" of Purcell was written for a play called the "Libertine," a fact not mentioned on the program...
The première of a new opera took place last week in the cotton-mill and college town of Spartanburg, S.C. That fact was not surprising. Since 1939 Spartanburg has been staging spring music festivals with a fine exploring, self-sufficient spirit. It has no rich backers, no imported...
Other laurels must go to the able dramatic directing of S. Leonard Kent, the conducting and music directing of Malcolm Holmes, and to the stage designer John Holabird, whose brilliant sets perform miracles in creating an atmosphere of gaiety. The opera itself, ideally suited to the production it gets here...