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Foremost among these is Epstein's appropriation of Henry Purcell's score for The Fairy Queen, with chorus, soloists and instruments of the Banchetto Musicale, as a means both to lengthen and to enrich Shakespeare's play. The backhanded slap at Mendelssohn's romantic score, with its pianissimo fairies and...

Author: By Scott A. Rosenberg, | Title: Out of Discord, Concord | 3/31/1980 | See Source »

With Purcell's music lending a touch of formal majesty, the performers move from discord to concord in a progress that sinks deep into the layers of Shakespeare's meanings, to emerge restored and invigorated. Stage movement as much as language becomes a spade they use to unearth poetic ambiguities...

Author: By Scott A. Rosenberg, | Title: Out of Discord, Concord | 3/31/1980 | See Source »

Works of Purcell, Saint--Saens, Hindemith, Jacobi, and Arban--Norman Birge, trumpet; David Sogg, bassoon; and Peter Lurye, plano; Cabot Living Room., South House, 8 p.m.

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: May 10-May 16 | 5/10/1979 | See Source »

Works of Purcell--Cecilia Society, Sanders Theater, 8 p.m.

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar April 19-April 25 | 4/19/1979 | See Source »

A Clockwork Orange. Stanley Kubrick elevates this Anthony Burgess nightmare into a film of frightening precision, thought-provoking and pointed in its satire of "enlightened" modern ideas of criminal reform. Some find the violence sensationalized, but Kubrick gives it all purpose. The perfectly realized vision of London as the decadent...

Author: NO WRITER ATTRIBUTED | Title: In a World Where Flying Men Hunt Elephants......People Will Just Naturally Want to Get High | 3/15/1979 | See Source »

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