Word: puree
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Dates: during 1990-1999
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...embodiment of pure intellect, the bumbling professor with the German accent, a comic cliche in a thousand films. Instantly recognizable, like Charlie Chaplin's Little Tramp, Albert Einstein's shaggy-haired visage was as familiar to ordinary people as to the matrons who fluttered about him in salons from Berlin to Hollywood. Yet he was unfathomably profound--the genius among geniuses who discovered, merely by thinking about it, that the universe was not as it seemed...
However interesting this view made art, what it did for politics was pure destruction. Paul Johnson connects relativism to the extreme nationalism of 20th century political movements in his generally persuasive view of Modern Times. The relationship he cites is sometimes elliptical. What one can say is that the destruction of absolutes--monarchies no less than Newtonian physics--created a vacuum, and in certain key places that vacuum was filled by maniacs and murderers...
Einstein's friend and fellow physicist Abraham Pais called him "the freest man I have known," by which he meant that by the pure act of thinking, Einstein controlled his destiny. His mind was utterly fearless, and by its uses he diminished fear in others. "It stands to the everlasting credit of science," Einstein wrote, "that by acting on the human mind, it has overcome man's insecurity before himself and before nature." And so he became a model of what humans might do if they put their mind...
...history or how the Mahatma in our minds came to be. Hundreds of biographies uncritically canonize him. Winston Churchill scorned him as a half-naked fakir stirring up sedition. His generation knew him as a radical political agitator; ours shrugs off a holy man with romantic notions of a pure, pre-industrial life. There is no either-or. The saint and the politician inhabited the same slender frame, each nourishing the other. His struggle for a nation's rights was one and the same with his struggle for individual salvation...
...narrative cohesion from fiction. Increasingly, though, these comfortable and reassuring sources of pleasure were segregated in a popular culture that was dismissed by finer sensibilities as aesthetically retrograde. Nor was it that everything interesting in high culture had been accomplished. Brancusi's and Hemingway's pursuit of pure form, stripped of all Victorian encrustations, proceeded. And most of the isms (Dadaism, Surrealism, Absurdism) in some way derive from what we might oxymoronically call classic modernism...