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...Utzon's original submission to a design competition for an opera house on Sydney's Bennelong Point reads like a Hollywood stage direction for a biblical epic: "The audience is assembled from cars, trains and ferries and led like a festive procession into the respective halls, thanks to the pure staircase solution?" With his winning entry for the Sydney Opera House in 1957, the 38-year-old Dane proved to be as ambitious a choreographer of spectacle as D.W. Griffith or Cecil B. DeMille. Leaving behind the rush and grind of the city, opera-goers would be transported...

Author: /time Magazine | Title: Behind the Shells | 12/14/2004 | See Source »

...Crimson did manage to win the contest while not playing its best. It seemed this squad, while not as flashy as last year’s, would make up in attitude for what it lacked in pure talent...

Author: By J. PATRICK Coyne, CRIMSON STAFF WRITER | Title: This Year Supposed To Be Different | 12/9/2004 | See Source »

...cultural traditions. It's a street sensibility that comes with a clear-eyed perspective on Japanese society that most of the country's directors-trapped in a fishbowl of stylized genres and stock characters-sorely lack. The result is that the outsider depicts a more realistic Japan than his pure-blooded contemporaries...

Author: /time Magazine | Title: Close to the Bone | 12/6/2004 | See Source »

...quarter-to-nine now chime constantly on street-corners and, consequently, in nightmares of every description. Indeed, any attempt to clear one’s head and get some fresh air is foiled by the unchecked proliferation of tinsel. The best part: these little pre-fabricated, plasticized pieces of pure pleasure won’t go away for weeks. When it comes to commercial Christmas decorations, the silver lining isn’t only apparent—it’s the problem...

Author: By Adam Goldenberg, | Title: And So It Begins | 11/30/2004 | See Source »

...example, he observes, when it was first realized that planets go around the sun, astronomers hoped they might find an underlying principle that would explain why the planets orbit at the precise distances they do. But now we know the orbits are the result of pure chance. The elliptical shapes of planetary orbits, on the other hand, led to the truly profound discovery of Newton's laws of gravity. "My own feeling," says Brian Greene, a superstring theorist at Columbia University and author of the best-selling The Fabric of the Cosmos, "is that we can give a deeper explanation...

Author: /time Magazine | Title: Cosmic Conundrum | 11/29/2004 | See Source »

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