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...film won the 1954 Oscar award for Best Foreign Film. In addition to suberb acting. "La Strada" is visually stunning. Fellini uses warm sepia-washed black and white film throughout, and alternates between a soft and hard focus lense filter. Very rarely does he use either pure black or white. In a Bergmanesque fashion, he places the camera strategically to strengthen the film's allegorical strains. Gelsomina is always seen from slightly above, as if she were being watched by a guardian angel. During an Easter parade the camera looks upwards, circling around the massive crosses to emphasize their grandeur...

Author: By Irit Kleiman, | Title: Fine Fellini Flick | 10/21/1993 | See Source »

Reeves doesn't try to soft-pedal the distasteful, but his account of the Kennedy presidency is resolutely matter of fact and not an indictment. At one point he describes the image that J.F.K.'s inner circle tried to project as one of "cool objectivity, pure information gathering, dispassionate analysis." He must have absorbed some of that style during his long immersion in the archives and artifacts of the New Frontier...

Author: /time Magazine | Title: Back to the New Frontier | 10/18/1993 | See Source »

...many defense plants have closed or cut back. Unemployment and inflation are rising to the point where the monthly minimum wage will buy only 10 lbs. of meat. Old communists like Pyotr Shirshov, a former army general who now heads the city soviet, predictably accuse Yeltsin of practicing "a pure form of dictatorship." More ominous for the President, disaffection has spread to young people, who might be expected to back reform. "I'm not really interested in politics," says Sergei Mishin, 20, an industrial technician, "but I know that people just don't believe anyone anymore. Too many promises have...

Author: /time Magazine | Title: The Last Best Chance for Yeltsin | 10/18/1993 | See Source »

That October, I was excited. It was going to be our year at last. We had the best pitcher on the planet, the best pure hitter of this generation, and Big Lou lunching on a dog in the box. How could we lose...

Author: NO WRITER ATTRIBUTED | Title: World Serious Business | 10/15/1993 | See Source »

...beauty of "Lolita" is that one can watch it for pure entertainment and/or for its deeper psychological and cultural subthemes; neither viewing experience has to interfere with the other...

Author: By Deborah E. Kopald, | Title: Kubrick's Lush `Lolita' | 10/14/1993 | See Source »

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